Charles Petzold

As described in the blog entry Celebrating Beethoven 250 All Year Long, I am using the Twitter account twitter.com/beethoven250 during 2020 to celebrate the 250th anniversary of Beethoven's birth with daily postings of mostly live music performances from YouTube in roughly chronological order.

That Twitter feed is periodically transferred to this website. The index below encompasses the first 320 days of the Twitter feed through 15 November 2020, taking Beethoven through the first 50 years of his life.

Chronological Order

Day	Catalog	Composition	Date
Day 1	WoO 63	Variations on a March by Dressler	1782
Day 2	WoO 47, No. 1	Piano Sonata in E♭ Major	1783
Day 3	WoO 47, No. 2	Piano Sonata in F Minor	1783
Day 4	WoO 47, No. 3	Piano Sonata in D Major	1783
Day 5	WoO 31	Fugue in D for Organ	1783
Day 6	WoO 48	Rondo in C Major	1783
Day 7	WoO 49	Rondo in A Major	1783
Day 8	WoO 107	“Schilderung eines Mädchens”	1783
Day 8	WoO 108	“An einen Säugling”	1784
Day 9	WoO 4	Piano Concerto No. 0	1784
Day 10	WoO 36, No. 1	Piano Quartet in E♭ Major	1785
Day 11	WoO 36, No. 2	Piano Quartet in D Major	1785
Day 12	WoO 36, No. 3	Piano Quartet in C Major	1785
Day 13	WoO 82	Minuet in E♭ Major	1785?
Day 14	WoO 37	Trio in G for Piano, Flute & Bassoon	1786?
Day 15	WoO 55	Prelude for Piano in F Minor	1786–87?
Day 16	Opus 39	Two Preludes for Piano or Organ	1789?
Day 17	WoO 87	Cantata on the Death of Joseph II	1790
Day 18	WoO 88	Cantata on the Accession of Leopold II	1790
Day 19	WoO 109	“Erhebt das Glas mit froher Hand”	1790?
Day 19	WoO 113	“Klage”	1790?
Day 20	WoO 65	Variations on “Venni amore” by Righini	1790–91
Day 21	WoO 1	Music for a “Ritterballet”	1790–91
Day 22	WoO 38	Piano Trio in E♭ Major	1791?
Day 23	WoO 89	“Prüfung des Küssens”	1790–92
Day 23	WoO 90	“Mit Mädeln sich vertragen”	1790–92
Day 23	WoO 92	“Primo Amore” for Soprano and Orchestra	1790–92
Day 24	WoO 5	Violin Concerto Fragment	c. 1790–92
Day 25	WoO 111	“Punschlied”	1790–92?
Day 25	WoO 110	“Elegie auf den Tod eines Pudels”	1792?
Day 25	WoO 112	“An Laura”	1792?
Day 25	WoO 114	“Selbstgespräch”	1792?
Day 25	WoO 115	“An Minna”	1792?
Day 26	WoO 66	Variations on “Es war einmal” from Dittersdorf’s “Das rote Käppchen”	1792
Day 27	Opus 44	Variations on “Ja, ich muss mich” from Dittersdorf’s “Das rote Käppchen” for Piano Trio	1792
Day 28	WoO 26	Duo for 2 Flutes	1792
Day 29	WoO 27, No. 1	Duo for Clarinet and Bassoon in C Major	1792?
Day 29	WoO 27, No. 2	Duo for Clarinet and Bassoon in F Major	1792?
Day 29	WoO 27, No. 3	Duo for Clarinet and Bassoon in B♭	1792?
Day 30	WoO 50	Sonatina for Piano in F Major	1792?
Day 31	WoO 64	Variations on a Swiss Air for Harp or Piano	1792?
Day 32	WoO 67	Variations on a Theme by Count Waldstein for Piano Four Hands	1792?
Day 33	WoO 40	Variations on “Se vuol ballare" from Mozart's “The Marriage of Figaro” for Violin and Piano	1792–93
Day 34	Opus 103	Wind Octet	1792–93?
Day 35	WoO 25	Rondo in E♭ for Wind Octet	1793?
Day 36	WoO 81	Allemande in A for Piano	1793
Day 37	WoO 116	“Que le temps me dure”	1793
Day 37	WoO 119	“O care selve”	1794
Day 38	WoO 6	Rondo for Piano and Orchestra	1793–94
Day 39	WoO 117	“Der freie Mann”	1792–94
Day 40	WoO 41	Rondo in G for Violin and Piano	1793–94
Day 41	Opus 1, No. 1	Piano Trio No. 1 in E♭ Major	1794–95
Day 42	Opus 1, No. 2	Piano Trio No. 2 in G Major	1794–95
Day 43	Opus 1, No. 3	Piano Trio No. 3 in C Minor	1794–95
Day 44	WoO 118	“Seufzer eines Ungeliebten” / “Gegenliebe”	1794–95
Day 45	Opus 46	“Adelaide”	1794–95
Day 46	Opus 2, No. 1	Piano Sonata No. 1 in F Minor	1795
Day 47	Opus 2, No. 2	Piano Sonata No. 2 in A Major	1795
Day 48	Opus 2, No. 3	Piano Sonata No. 3 in C Major	1795
Day 49	Opus 87	Trio for Two Oboes and English Horn	1795?
Day 50	WoO 28	Variations on “Là ci darem la mano” from Mozart’s “Don Giovanni” for Two Oboes and English Horn	1795?
Day 51	Opus 81b	Sextet in E♭ Major for 2 Horns, 2 Violins, Viola, and Cello	1795
Day 52	Opus 3	String Trio in E♭ Major	1795?
Day 53	Opus 129	Rondo in G Major “Rage Over a Lost Penny”	1795
Day 54	WoO 123	“Ich liebe Dich”	c. 1795
Day 55	WoO 52	Presto in C Minor for Piano	c. 1795
Day 56	WoO 91, No. 1	“O welch’ ein Leben!”	c. 1795
Day 56	WoO 91, No. 2	“Soll ein Schuh nicht drücken”	c. 1795
Day 57	Opus 4	String Quintet in E♭ Major	1795
Day 58	WoO 68	Variations on “Menuett à la Viganò” from Haibel’s “Le nozze disturbate”	1795
Day 59	WoO 70	Variations on “Nel cor più non mi sento” from Paisiello’s “La molinara”	1795
Day 60	WoO 69	Variations on “Quant’ è più bello” from Paisiello’s “La molinara”	1795
Day 61	WoO 72	Variations on “Une frèvre brûlante” from Grétry’s “Richard Coeur de Lion”	1795
Day 62	WoO 159	Canon “Im Arm der Liebe ruht sich’s wohl”	1795
Day 62	WoO 160, No. 1	Canon for 3 voices	1795
Day 62	WoO 160, No. 2	Canon in 4 voices	1795
Day 63	Hess 30	Prelude and Fugue in F Major	1794–95
Day 63	Hess 31	Prelude and Fugue in C Major	1794–95
Day 64	WoO 7	12 Minuets for Orchestra	1795
Day 65	WoO 8	12 German Dances for Orchestra	1795
Day 65	WoO 8	12 German Dances for Piano	1795
Day 66	WoO 9	6 Minuets for Two Violins and Cello	c. 1795
Day 67	WoO 10	6 Minuets for Piano	1795
Day 67	WoO 10, No. 2	Minuet in G	1795
Day 68	WoO 124	“La Partenza”	c. 1795–96
Day 69	WoO 42	6 German Dances for Violin and Piano	1796
Day 70	Opus 65	“Ah! Perfido” for soprano and orchestra	1796
Day 71	WoO 43a	Sonatina in C Minor for Mandolin and Harpsichord	1796
Day 71	WoO 43b	Adagio in E♭ for Mandolin and Harpsichord	1796
Day 72	WoO 44a	Sonatina in C Major for Mandolin and Harpsichord	1796
Day 72	WoO 44b	Andante with Variations in D Major for Mandolin and Harpsichord	1796
Day 73	Opus 71	Sextet in E♭ for 2 clarinets, 2 bassoons, and 2 horns	1796?
Day 74	WoO 131	“Erlkönig”	1796
Day 75	Opus 5, No. 1	Cello Sonata No. 1 in F Major	1796
Day 76	Opus 5, No. 2	Cello Sonata No. 2 in G Minor	1796
Day 77	WoO 45	Variations on “See the Conqu’ring Hero” from Handel’s “Judas Maccabaeus”	1796
Day 78	Opus 66	Variations on “Ein Mädchen oder Weibchen” from Mozart’s “The Magic Flute”	1796
Day 79	Opus 16	Quintet in E♭ for Piano and Woodwinds	1796
Day 80	Opus 16	Quartet in E♭ for Piano and Strings	1796?
Day 81	WoO 121	“Abschiedsgesang an Wiens Bürger”	1796
Day 82	WoO 13	12 German Dances	c. 1792–97
Day 83	Opus 49, No. 1	Piano Sonata No. 19 in G Minor	1797
Day 84	Opus 49, No. 2	Piano Sonata No. 20 in G Major	1795–96
Day 85	WoO 32	Duet for Two Obbligato Eyeglasses	1796–97
Day 86	WoO 53	Allegretto in C Minor	1796–97
Day 87	Opus 6	Sonata in D for Piano Four Hands	1796–97
Day 88	Opus 7	Piano Sonata No. 4 in E♭ Major	1796–97
Day 89	Opus 8	Serenade in D for String Trio	1796–97
Day 90	WoO 71	Variations on a Russian Dance from Wranitzky’s “Das Waldmädchen”	1796–97
Day 91	WoO 122	“Kriegslied der Öesterreicher”	1797
Day 92	WoO 221	Musical joke “Herr Graf, ich komme zu fragen”	1797?
Day 93	WoO 51	Two Movements for Orphica	1797?
Day 94	WoO 29	March in B♭ Major	1797–98
Day 95	Opus 51, No. 1	Rondo in C for Piano	c. 1796–97
Day 95	Opus 51, No. 2	Rondo in G for Piano	c. 1798
Day 96	Opus 9, No. 1	String Trio No. 3 in G Major	1797–98
Day 97	Opus 9, No. 2	String Trio No. 4 in D Major	1797–98
Day 98	Opus 9, No. 3	String Trio No. 5 in C Minor	1797–98
Day 99	Opus 10, No. 1	Piano Sonata No. 5 in C Minor	1798
Day 100	Opus 10, No. 2	Piano Sonata No. 6 in F Major	1798
Day 101	Opus 10, No. 3	Piano Sonata No. 7 in D Major	1798
Day 102	Opus 11	Piano Trio No. 4 in B♭ Major	1797–98
Day 103	Opus 12, No. 1	Violin Sonata No. 1 in D Major	1797–98
Day 104	Opus 12, No. 2	Violin Sonata No. 2 in A Major	1797–98
Day 105	Opus 12, No. 3	Violin Sonata No. 3 in E♭ Major	1797–98
Day 106	Opus 13	Piano Sonata No. 8 “Pathétique” in C Minor	1798?
Day 107	Opus 14, No. 1	Piano Sonata No. 9 in E Major	1798
Day 108	Opus 14, No. 2	Piano Sonata No. 10 in G Major	1798
Day 109	Opus 50	Romance in F Major for Violin and Orchestra	1798
Day 110	Opus 19	Piano Concerto No. 2 in B♭ Major	1795–98
Day 111	WoO 125	“La Tiranna”	1798
Day 112	WoO 126	“Opferlied”	1798
Day 113	WoO 127	“Neue Liebe, Neues Leben”	1798–99
Day 114	WoO 128	“Romance” / “Plaisir d’aimer”	1798–99
Day 115	WoO 11	7 Ländler for Piano	1799
Day 115	WoO 12	12 Minuets for Orchestra	1799
Day 116	WoO 73	Variations on “La stessa, la stessissima” from Salieri’s “Falstaff”	1799
Day 117	WoO 74	“Ich denke dein” with Variations for Four Hands	1799
Day 118	WoO 75	Variations on “Kind, willst du ruhig schlafen” from Winter’s “Das unterbrochene Opferfest”	1799
Day 119	WoO 76	Variations on “Tändeln und Scherzen” from Süssmayr’s “Soliman II”	1799
Day 120	WoO 33	5 Pieces for a Flute Clock	1799
Day 121	Opus 20	Septet in E♭ Major	1799
Day 122	Opus 15	Piano Concerto No. 1 in C Major	1795–1800
Day 123	Opus 21	Symphony No. 1 in C Major	1800
Day 124	Opus 17	Sonata in F Major for Horn and Piano	1800
Day 125	Opus 18, No. 1	String Quartet No. 1 in F Major	1799–1800
Day 126	Opus 18, No. 2	String Quartet No. 2 in G Major	1799–1800
Day 127	Opus 18, No. 3	String Quartet No. 3 in D Major	1799–1800
Day 128	Opus 18, No. 4	String Quartet No. 4 in C Minor	1799–1800
Day 129	Opus 18, No. 5	String Quartet No. 5 in A Major	1799–1800
Day 130	Opus 18, No. 6	String Quartet No. 6 in B♭ Major	1800
Day 131	WoO 120	“Man Strebt, die Flamme zu Verhehlen”	1800
Day 132	Opus 22	Piano Sonata No. 11 in B♭ Major	1800
Day 133	WoO 77	Variations for Piano in G Major	1800
Day 134	Opus 23	Violin Sonata No. 4 in A Minor	1800
Day 135	Opus 24	Violin Sonata No. 5 in F Major “Spring”	1800–01
Day 136	Opus 43	The Creatures of Prometheus	1801
Day 137	Opus 25	Serenade for Flute, Violin, and Viola in D Major	1801
Day 138	Opus 26	Piano Sonata No. 12 “Funeral March” in A♭ Major	1801
Day 139	Opus 27, No. 1	Piano Sonata No. 13 in E♭ Major	1801
Day 140	Opus 27, No. 2	Piano Sonata No. 14 “Moonlight” in C♯ Minor	1801
Day 141	Opus 28	Piano Sonata No. 15 “Pastoral” in D Major	1801
Day 142	WoO 100	“Lob auf den Dicken” for Three Voices & Chorus	1801
Day 143	Opus 29	String Quintet in C Major	1801
Day 144	WoO 46	Variations on Mozart’s “Bei Männern” for Cello and Piano	1801
Day 145	WoO 14	12 Contradances for Orchestra	c. 1791–1801
Day 146	Opus 40	Romance No. 1 in G Major for Violin and Orchestra	c. 1801
Day 147	WoO 15	6 Ländler for Two Violins and Bass	1802
Day 148	WoO 99	Italian Part-Songs	c. 1801–1802
Day 149	WoO 92a	“No, non turbarti” for Soprano and Strings	1802
Day 150	Opus 48	Gellert Lieder	1801–02
Day 151	Opus 30, No. 1	Violin Sonata No. 6 in A Major	1802
Day 152	Opus 30, No. 2	Violin Sonata No. 7 in C Minor	1802
Day 153	Opus 30, No. 3	Violin Sonata No. 8 in G Major	1802
Day 154	Hess 34	String Quartet in F Major	1801–2
Day 155	Opus 31, No. 1	Piano Sonata No. 16 in G Major	1802
Day 156	Opus 31, No. 2	Piano Sonata No. 17 “Tempest” in D Minor	1802
Day 157	Opus 31, No. 3	Piano Sonata No. 18 “The Hunt” in E♭ Major	1802
Day 158	Opus 33	Bagatelles for Piano	1801–2
Day 159	WoO 54	Bagatelle “Lustig-Traurig”	1802?
Day 160	Opus 34	Variations on an Original Theme in F Major	1802
Day 161	Opus 35	Variations and Fugue on a Theme from “Prometheus”	1802
Day 162	WoO 101	Musical Joke “Graf, Graf, liebster Graf”	1802
Day 163	Opus 36	Symphony No. 2 in D Major	1801–02
Day 164	Opus 116	“Tremate, empi, tremate” for Soprano, Tenor, Bass and Orchestra	1802
Day 165	WoO 93	“Nei giorni tuoi felici” for Soprano, Tenor, and Orchestra	1802
Day 166	Opus 37	Piano Concerto No. 3 in C Minor	1800–03
Day 167	Opus 38	Trio for Clarinet, Cello, and Piano in E♭ Major	1802–03
Day 168	Opus 41	Serenade for Flute and Piano in D Major	1803
Day 169	Opus 42	Notturno for Viola and Piano in D Major	1803
Day 170	Opus 47	Violin Sonata No. 9 “Kreutzer” in A Major	1803
Day 171	WoO 129	“Der Wachtelschlag”	1803
Day 172	WoO 78	Variations on “God Save the King”	1803
Day 173	WoO 79	Variations on “Rule Britannia”	1803
Day 174	Opus 45	3 Marches for Piano Four-Hands	1803
Day 175	Opus 88	“Lebensglück”	1803
Day 175	Opus 88	“Vita Felice”	1803
Day 176	Opus 52, No. 1	“Urians Reise um die Welt”	before 1793
Day 176	Opus 52, No. 2	“Feuerfarb’”	c. 1792, rev. 1803
Day 176	Opus 52, No. 3	“Das Liedchen von der Ruhe”	c. 1793, rev. 1795
Day 176	Opus 52, No. 4	“Maigesang”	c. 1795
Day 176	Opus 52, No. 5	“Mollys Abschied”	c. 1795
Day 176	Opus 52, No. 6	“Die Liebe”	c. 1790
Day 176	Opus 52, No. 7	“Marmotte”	c. 1790–92
Day 176	Opus 52, No. 8	“Das Blümchen Wunderhold”	c. 1795
Day 177	WoO 57	Andante Favori in F Major	1803
Day 178	WoO 56	Allegretto in C Major	1803
Day 179	Hess 115	Vestas Feuer, Scene 1	1803
Day 180	Opus 85	Christ on the Mount of Olives	1803–04
Day 181	Opus 53	Piano Sonata No. 21 “Waldstein” in C Major	1803–04
Day 182	Opus 54	Piano Sonata No. 22 in F Major	1804
Day 183	Opus 55	Symphony No. 3 “Eroica” in E♭ Major	1803–04
Day 184	Opus 56	Triple Concerto in C Major	1804
Day 185	Opus 32	“An die Hoffnung”	1805
Day 186	WoO 136	“Andenken”	1805
Day 187	Opus 36	Symphony No. 2 Transcribed for Piano Trio	1805
Day 188	Opus 72	Leonore 1805	1804–05
Day 189	Opus 72a	Leonore Overture No. 2	1805
Day 190	Opus 57	Piano Sonata No. 23 “Appassionata” in F Minor	1804–6
Day 191	Opus 72	Leonore 1806	rev. 1806
Day 192	Opus 72b	Leonore Overture No. 3	1806
Day 193	Opus 58	Piano Concerto No. 4 in G Major	1806
Day 194	WoO 16	12 Écossaises for Piano	c. 1806
Day 194	WoO 83	6 Écossaises for Piano	c. 1806
Day 195	Opus 59, No. 1	String Quartet No. 7 “Razumovsky” in F Major	1806
Day 196	Opus 59, No. 2	String Quartet No. 8 “Razumovsky” in E Minor	1806
Day 197	Opus 59, No. 3	String Quartet No. 9 “Razumovsky” in C Major	1806
Day 198	WoO 132	“Als die Geliebte sich Trennen Wollte”	1806
Day 199	Opus 60	Symphony No. 4 in B♭ Major	1806
Day 200	WoO 80	32 Variations on an Original Theme	1806
Day 201	Opus 61	Violin Concerto in D Major	1806
Day 202	Opus 62	Coriolan Overture	1807
Day 203	Opus 61a	Piano Concerto in D Major	1807
Day 204	Opus 63	Piano Trio Arrangement of Opus 4	1806
Day 204	Opus 64	Cello Sonata Arrangement of Opus 3	1807
Day 205	Opus 86	Mass in C Major	1807
Day 206	WoO 133	“In Questa Tomba Oscura”	1807
Day 207	Opus 138	Leonore Overture No. 1	1807
Day 208	Opus 67	Symphony No. 5 in C Minor	1807–08
Day 209	Opus 69	Cello Sonata No. 3 in A Major	1807–08
Day 210	WoO 134	“Sehnsucht”	1807–08
Day 211	Opus 68	Symphony No. 6 “Pastoral” in F Major	1808
Day 212	Opus 70, No. 1	Piano Trio No. 5 “Ghost” in D Major	1808
Day 213	Opus 70, No. 2	Piano Trio No. 6 in E♭ Major	1808
Day 214	Opus 80	Choral Fantasy in C Major	1808
Day 215	Opus 73	Piano Concerto No. 5 “Emperor” in E♭ Major	1809
Day 216	Opus 81a, mm 1	Das Lebewohl for Piano	1809
Day 217	WoO 58	Cadenzas for Mozart’s Piano Concerto No. 20 in D Minor, K. 466	c. 1809
Day 218	Opus 74	String Quartet No. 10 “Harp” in E♭ Major	1809
Day 219	Opus 75, No. 1	“Kennst du das Land” / “Mignon”	1809
Day 220	Opus 75, No. 2	“Neue Liebe, neues Leben”	1809
Day 221	Opus 75, No. 3	“Aus Goethes Faust” / “Flohlied”	1809
Day 222	Opus 75, No. 4	“Gretels Warnung”	1809
Day 223	Opus 75, No. 5	“An den fernen Geliebten”	1809
Day 224	Opus 75, No. 6	“Der Zufriedene”	1809
Day 225	Opus 76	6 Variations for Piano in D Major	1809
Day 226	Opus 77	Fantasy for Piano in G Minor	1809
Day 227	WoO 137	“Lied aus der Ferne”	1809
Day 228	WoO 138	“Der Jüngling in der Fremde”	1809
Day 229	WoO 139	“Der Liebende”	1809
Day 230	Opus 78	Piano Sonata No. 24 “à Thérèse” in F♯ Major	1809
Day 231	Opus 79	Piano Sonata No. 25 in G Major	1809
Day 232	Opus 81a	Piano Sonata No. 26 “Les Adieux” in E♭ Major	1809
Day 233	Opus 82, No. 1	“Hoffnung” / “Dimmi, ben mio, che m’ami”	1809
Day 234	Opus 82, No. 2	“Liebes-Klage” / “T’intendo sì, mio cor”	1809
Day 235	Opus 82, No. 3	“L’amante impatiente” / “Stille Frage” – Arietta buffa	1809
Day 235	Opus 82, No. 4	“L’amante impatiente” / “Liebes-Ungeduld” – Arietta assai seriosa	1809
Day 236	Opus 82, No. 5	“Lebens-Genuss” / “Odi l’aura che dolce sospira”	1809
Day 237	WoO 155, No. 14	Setting of “The Dream,” CFS I/6	1809–10
Day 237	WoO 155, No. 17	Setting of “The Dairy House,” CFS I/8	1809–10
Day 237	WoO 155, No. 8	Setting of “Farewell, thou Noisy Town,” CFS I/11	1809–10
Day 237	WoO 155, No. 22	Setting of “Constancy,” CFS I/16	1809–10
Day 237	WoO 155, No. 19	Setting of “The Vale of Clwyd,” CFS I/18	1809–10
Day 237	WoO 155, No. 21	Setting of “Cupid’s Kindness” CFS I/20	1809–10
Day 237	WoO 155, No. 9	Setting of “To the Aeolian Harp” CFS I/22	1809–10
Day 237	WoO 155, No. 1	Setting of “Sion, the son of Evan” CFS I/23	1809–10
Day 238	WoO 152, No. 17	Setting of “In Vain to this Desart” CFS I/27	1809–10
Day 238	WoO 152, No. 5	Setting of “On the Massacre of Glencoe” CFS I/28	1809–10
Day 238	WoO 152, No. 14	Setting of “Dermot and Shelah” CFS I/29	1809–10
Day 238	WoO 152, No. 9	Setting of “The Soldier’s Dream” CFS I/31	1809–10
Day 238	WoO 152, No. 18	Setting of “They bid me Slight my Dermot Dear” CFS I/32	1809–10
Day 238	WoO 152, No. 3	Setting of “Once more I hail thee” CFS I/35	1809–10
Day 238	WoO 152, No. 12	Setting of “English Bulls; or, The Irishman in London” CFS I/36	1809–10
Day 238	WoO 152, No. 4	Setting of “The Morning Air plays on my Face” CFS I/38	1809–10
Day 238	WoO 152, No. 2	Setting of “Sweet Power of Song” CFS I/39	1809–10
Day 238	WoO 153, No. 4	Setting of “Since Greybeards inform us that Youth will decay” CFS I/40	1809–10
Day 238	WoO 153, No. 14	Setting of “Paddy O’Rafferty, Merry and Vigorous” CFS I/42	1809–10
Day 239	WoO 59	Bagatelle “Für Elise” in A Minor	1810?
Day 240	Opus 84	Egmont Overture and Incidental Music	1810
Day 241	WoO 152, No. 23	Setting of “The Wand'ring Gypsy” CFS II/3	1810
Day 241	WoO 152, No. 20	Setting of “Farewell Bliss and Farewell Nancy” CFS II/6	1810
Day 241	WoO 152, No. 8	Setting of “Come draw we Round a Cheerful Ring” CFS II/7	1810
Day 241	WoO 152, No. 1	Setting of “The Return to Ulster” CFS II/8	1810
Day 241	WoO 152, No. 15	Setting of “Let Brain-spinning Swains” CFS II/10	1810
Day 242	WoO 18	March in F Major for Military Band	1809–10
Day 242	WoO 19	March in F Major for Military Band	1810
Day 242	WoO 20	March in C Major for Military Band	c. 1810?
Day 242	WoO 21	Polonaise in D Major for Military Band	1810
Day 242	WoO 22	Ecossaise in D Major for Military Band	1810
Day 242	WoO 23	Ecossaise in G Major for Military Band	c. 1810
Day 243	Opus 95	String Quartet No. 11 “Serioso” in F Minor	1810
Day 244	Opus 83, No. 1	“Wonne der Wehmut”	1810
Day 245	Opus 83, No. 2	“Sehnsucht”	1810
Day 246	Opus 83, No. 3	“Mit einem gemalten Band”	1810
Day 247	Opus 97	Piano Trio No. 7 “Archduke” in B♭ Major	1811
Day 248	Opus 117	King Stephen	1811
Day 249	Opus 113	The Ruins of Athens	1811
Day 250	WoO 140, v. 1	“An die Geliebte”	1811
Day 250	WoO 140, v. 2	“An die Geliebte”	1811
Day 251	WoO 161	Canon “Ewig dein”	1811
Day 251	WoO 162	Canon “Ta ta ta” / “An Mälzel”	attr. 1812
Day 252	WoO 152, No. 11	Setting of “Thou Emblem of Faith” CFS III/2	1811–12
Day 252	WoO 152, No. 13	Setting of “Musing on the Roaring Ocean” CFS III/3	1811–12
Day 252	WoO 152, No. 25	Setting of “Oh Harp of Erin” CFS III/4	1811–12
Day 252	WoO 152, No. 21	Setting of “Morning a Cruel Turmoiler is” CFS III/6	1811–12
Day 252	WoO 152, No. 22	Setting of “From Garyone, my Happy Home” CFS III/7	1811–12
Day 252	WoO 152, No. 19	Setting of “Wife, Children and Friends” CFS III/9	1811–12
Day 253	Opus 92	Symphony No. 7 in A Major	1812
Day 254	WoO 39	Allegretto for Piano Trio in B♭ Major	1812
Day 255	Opus 93	Symphony No. 8 in F Major	1812
Day 256	WoO 30	3 Equali for Four Trombones	1812
Day 257	Opus 96	Violin Sonata No. 10 in G Major	1812
Day 258	Opus 108, No. 20	Setting of “Faithfu’ Johnie” CFS IV/4	1812–13
Day 258	WoO 154, No. 7	Setting of “From Garyone, my Happy Home” CFS IV/8	1812–13
Day 258	WoO 154, No. 9	Setting of “Oh! would I were but that Sweet Linnet” CFS IV/9	1812–13
Day 259	WoO 153, No. 20	Setting of “Thy Ship must sail, my Henry Dear” CFS V/2	1812–13
Day 259	WoO 153, No. 16	Setting of “O might I but my Patrick love” CFS V/3	1812–13
Day 259	WoO 153, No. 9	Setting of “The Kiss, Dear Maid, thy Lip has left” CFS V/5	1812–13
Day 259	WoO 154, No. 12	Setting of “He promis’d me at Parting” CFS V/7	1812–13
Day 259	WoO 154, No. 11	Setting of “The Soldier in a Foreign Land” CFS V/8	1812–13
Day 259	WoO 154, No. 1	Setting of “The Elfin Fairies” CFS V/10	1812–13
Day 259	WoO 154, No. 3	Setting of “The Farewell Song” CFS V/11	1812–13
Day 259	WoO 154, No. 4	Setting of “The Pulse of an Irishman” CFS V/12	1812–13
Day 259	WoO 154, No. 5	Setting of “Oh! who, my Dear Dermot” CFS V/14	1812–13
Day 259	WoO 153, No. 7	Setting of “O soothe me, my Lyre” CFS V/15	1812–13
Day 259	WoO 155, No. 15	Setting of “When Mortals all to Rest retire” CFS V/21	1813
Day 260	WoO 2a	Triumph March for Tarpeja	1813
Day 261	WoO 141	“Der Gesang der Nachtigall”	1813
Day 262	Opus 91	Wellington’s Victory	1813
Day 263	WoO 142	“Der Bardengeist”	1813
Day 264	WoO 163	Canon “Kurz ist der Schmerz”	1813
Day 265	WoO 94	Germania Chorus from “Die gute Nachricht”	1814
Day 266	Opus 72	Fidelio	1814
Day 267	Opus 72	Fidelio Overture	1814
Day 268	WoO 102	“Abschiedsgesang” for Two Tenors and Bass	1814
Day 269	WoO 103	Cantata “Un lieto brindisi” for four voices and piano	1814
Day 270	WoO 140, v. 3	“An die Geliebte”	1814
Day 271	Opus 118	Elegischer Gesang for Voices and String Quartet	1814
Day 272	Opus 90	Piano Sonata No. 27 in E Minor	1814
Day 273	WoO 95	Chorus for the Allied Princes	1814
Day 274	WoO 164	Canon “Freundschaft ist die Quelle”	1814
Day 274	WoO 199	Musical joke “Ich bin der Herr von zu, Du bist der Herr von von”	1814
Day 275	Opus 136	Der glorreiche Augenblick	1814
Day 276	WoO 143	“Des Kriegers Abscheid”	1814
Day 277	Opus 89	Polonaise in C Major for Piano	1814
Day 278	WoO 144	“Merkenstein”	1814
Day 278	Opus 100	“Merkenstein” for duet	1814
Day 279	WoO 135	“Die laute Klage”	c. 1815?
Day 280	WoO 96	Leonore Prohaska Incidental Music	1815
Day 280	WoO 96	Leonore Porhaska Incidental Music	1815
Day 281	WoO 165	Canon “Glück zum neuen Jahr”	1815
Day 281	WoO 166	Canon “Kurz ist der Schmerz”	1815
Day 282	Opus 115	Namensfeier Overture in C Major	1814–15
Day 283	Opus 94	“An die Hoffnung”	1813–15
Day 284	WoO 158b, No. 6	Setting of “O Mary ye’s be Clad in Silk,” CFS VI/7	1814–15
Day 284	WoO 155, No. 25	Setting of “The Parting Kiss,” CFS VI/8	1814–15
Day 284	Opus 108, No. 24	Setting of “Again, my Lyre, yet once again,” CFS VI/10	1814–15
Day 284	Opus 108, No. 6	Setting of “Dim, dim is my eye.” CFS VI/11	1814–15
Day 284	Opus 108, No. 7	Setting of “Bonny Laddie, Highland Laddie,” CFS VI/12	1814–15
Day 284	Opus 108, No. 5	Setting of “The Sweetest Lad was Jamie,” CFS VI/13	1814–15
Day 284	Opus 108, No. 19	Setting of “O swiftly glides the Bonny Boat,” CFS VI/15	1814–15
Day 284	Opus 108, No. 11	Setting of “Oh! thou art the Lad of my Heart,” CFS VII/3	1815
Day 285	WoO 97	Es ist Vollbracht Chorus from “Die Ehrenpforten”	1815
Day 286	WoO 145	“Das Geheimnis”	1815
Day 287	Opus 102, No. 1	Cello Sonata No. 4 in C Major	1815
Day 288	Opus 102, No. 2	Cello Sonata No. 5 in D Major	1815
Day 289	WoO 167	Canon “Brauchle, Linke”	c. 1815
Day 289	Hess 297	Adagio for in A♭ Major for 3 Horns	1815
Day 290	Opus 112	Calm Sea and Prosperous Voyage	1814–15
Day 291	WoO 169	Canon “Ich küsse sie”	1816
Day 291	WoO 168	Canon “Das Schweigen” and “Das Reden”	1816
Day 291	WoO 170	Canon “Ars longa, vita brevis”	1816
Day 292	WoO 146	“Sehnsucht”	1816
Day 293	Opus 108, No. 16	Setting of “Could this Ill World have been contriv’d” CFS VIII/2	1816
Day 293	Opus 108, No. 8	Setting of “The Lovely Lass of Inverness” CFS VIII/4	1816
Day 293	WoO 158a, No. 16	Setting of “Schöne Minka, ich muss scheiden” CFS VIII/6	1816
Day 293	WoO 158a, No. 14	Setting of “Akh, rečen’ki, rečen’ki” CFS IX/2	1816
Day 293	WoO 158a, No. 19	Setting of “Una paloma blanca” CFS IX/5	1816
Day 293	WoO 158a, No. 21	Setting of “Tiranilla Española” CFS IX/7	1816
Day 293	WoO 158a, No. 11	Setting of “Yo no queiero embarcarme” CVS IX/9	1816
Day 293	WoO 158a, No. 12	Setting of “Seus lindos alhos” CFS IX/10	1816
Day 293	WoO 158a, No. 2	Setting of “Horch auf, mein Liebchen” CFS IX/11	1816
Day 294	Opus 98	“An die ferne Geliebte”	1816
Day 295	Opus 99	“Der Mann von Wort”	1816
Day 296	Opus 121a	Variations on “Ich bin der Schneider Kakadu”	c. 1816
Day 297	WoO 24	March in D Major for Military Band	1816
Day 298	Opus 108, No. 25	Setting of “Sally in our Alley” CFS X/3	1816–17
Day 298	Opus 108, No. 22	Setting of “The Highland Watch” CFS X/7	1816–17
Day 298	WoO 158a, No 17	Setting of “Vaggvisa” CFS XI/1	1816–17
Day 298	WoO 158a, No. 7	Setting of “Wer solche Buema afipackt” CFS XI/2	1816–17
Day 299	Opus 101	Piano Sonata No. 28 in A Major	1816
Day 300	WoO 147	“Ruf vom Berge”	1816
Day 301	WoO 148	“So oder so”	1817
Day 302	Opus 108, No. 3	Setting of “Oh Sweet were the Hours” CFS XII/2	1817
Day 302	Opus 108, No. 17	Setting of “O Mary, at thy Window be” CFS XII/3	1817
Day 302	Opus 108, No. 13	Setting of “Come fill, fill, my Good Fellow” CFS XII/5	1817
Day 302	Opus 108, No. 1	Setting of “Music, Love and Wine” CFS XII/6	1817
Day 302	Opus 108, No. 9	Setting of “Behold, my Love, how Green the Groves” CFS XII/9	1817
Day 302	WoO 157, No. 10	Setting of “Sir Johnie Cope” CFS XII/10	1817
Day 302	WoO 157, No. 4	Setting of “O sanctissima” CFS XII/11	1817
Day 303	WoO 104	Song of the Monks	1817
Day 303	WoO 171	Canon “Glück fehl’ dir”	1817
Day 304	Opus 104	String Quintet in C Minor Arrangement of Opus 1, No. 3	1817
Day 305	Hess 40	Prelude and Fragment of Fugue in D Minor for String Quintet	1817
Day 305	Opus 137	Fugue in D Major for String Quintet	1817
Day 306	WoO 149	“Resignation”	1817
Day 307	Opus 108, No. 23	“The Shepherd’s Song” CFS XIII/1	1818
Day 307	Opus 108, No. 2	“Sunset” CFS XIII/2	1818
Day 307	Opus 108, No. 18	“Enchantress, Farewell” CFS XIII/3	1818
Day 308	WoO 200	“O Hoffnung” theme for Archduke Rudolph	1818
Day 309	WoO 201	Musical Joke “Ich bin bereit”	1818
Day 309	WoO 172	Canon “Ich bitt’ dich”	c. 1818
Day 310	WoO 60	Bagatelle in B♭ Major	1818
Day 311	Opus 106	Piano Sonata No. 29 “Hammerklavier” in B♭ Major	1818
Day 312	WoO 156, No. 9	Setting of “Lochnagar” CFS XIV/1	1818
Day 312	WoO 156, No. 8	Setting of “Womankind” CFS XIV/3	1818
Day 312	WoO 156, No. 11	Setting of “Auld Lang Syne” CFS XIV/4	1818
Day 313	Opus 105	6 National Airs with Variations	1818–19
Day 314	Opus 107	10 National Airs with Variations	1818–19
Day 315	WoO 105	Wedding Song	1819
Day 316	WoO 17	11 Mödling Dances	1819?
Day 316	WoO 173	Canon “Hol’ euch der Teufel”	1819
Day 316	WoO 174	Canon “Glaube und Hoffe”	1819
Day 316	WoO 176	Canon “Glück zum neuen Jahr”	1819
Day 316	WoO 179	Canon “Seiner kaiserlichen Hoheit”	1819
Day 317	WoO 175	Canon “Sankt Petrus”	1820
Day 317	WoO 177	Canon “Bester Magistrat”	c. 1820
Day 317	WoO 178	Canon “Signor Abate!”	c. 1820?
Day 317	WoO 180	Canon “Hoffmann, sei ja ein Hofmann”	1820
Day 318	WoO 150	“Abendlied unterm gestirnten Himmel”	1820
Day 319	WoO 130	“Gedenke mein!”	1820
Day 320	Opus 109	Piano Sonata No. 30 in E Major	1820
Day 321	WoO 61	Allegretto in B Minor	1821
Day 322	WoO 182	Canon “O Tobias”	1821
Day 323	Opus 110	Piano Sonata No. 31 in A♭ Major	1821–2
Day 324	Opus 111	Piano Sonata No. 32 in C Minor	1822
Day 325	WoO 34	Duet for Two Violins	1822
Day 326	WoO 181, No. 1	Canon “Gedenket heute an Baden”	1822
Day 326	WoO 181, No. 2	Canon “Gehabt euch wohl”	1822
Day 326	WoO 181, No. 3	Canon “Tugend is kein leerer Name”	1822
Day 327	Opus 123	Missa Solemnis	1822
Day 327	Opus 123	Missa Solemnis: Kyrie	1822
Day 327	Opus 123	Missa Solemnis: Gloria	1822
Day 327	Opus 123	Missa Solemnis: Credo	1822
Day 327	Opus 123	Missa Solemnis: Sanctus and Benedictus	1822
Day 327	Opus 123	Missa Solemnis: Agnus Dei	1822
Day 328	Hess 118	The Consecration of the House	1822
Day 328	Opus 124	The Consecration of the House: Overture	1822
Day 328	WoO 98	The Consecration of the House: “Wo sich die Pulse”	1822
Day 328	Opus 114	The Consecration of the House: March and Chorus	1822
Day 329	WoO 3	Gratulations-Menuett	1822
Day 330	Opus 119	11 Bagatelles for Piano	1820–22
Day 331	Opus 128	“Der Kuss”	1822
Day 332	WoO 151	“Der edle Mensch”	1823
Day 332	WoO 185	“Edel sei der Mensch”	1823
Day 333	WoO 106	Birthday Cantata for Prince Lobkowitz	1823
Day 334	Opus 120	Diabelli Variations	1823
Day 335	WoO 183	Canon “Bester Herr Graf”	1823
Day 335	WoO 184	Canon “Falstafferel, lass’ dich sehen”	1823
Day 335	WoO 202	Canon “Das Schöne zum Guten”	1823
Day 336	Opus 125	Symphony No. 9 in D Minor	1824
Day 337	Opus 126	6 Bagatelles	1824
Day 338	WoO 186	Canon “Te solo adoro”	1824
Day 338	WoO 187	Canon “Schwenke dich”	1824
Day 339	WoO 84	Waltz in E♭ Major for Piano	1824
Day 340	Opus 121b, v.1	“Opferlied” for Voices and Chamber Orchestra	1822
Day 340	Opus 121b, v.2	“Opferlied” for Voices and Chamber Orchestra	1824
Day 341	Opus 122	“Bundeslied” for Voices and Chamber Orchestra	1823–24
Day 342	WoO 188	Canon “Gott ist eine feste Burg”	1825
Day 343	Opus 127	String Quartet No. 12 in E♭ Major	1824–25
Day 344	WoO 203	Canon “Das Schöne zu dem Guten”	1825
Day 345	WoO 189	Canon “Doktor sperrt das Tor”	1825
Day 345	WoO 190	Canon “Ich war hier, Doktor”	1825
Day 346	Opus 132	String Quartet No. 15 in A Minor	1825
Day 347	WoO 35	Canon in A Major for Two Instruments	1825
Day 348	WoO 191	Canon “Kühl, nicht lau”	1825
Day 349	WoO 192	Canon “Ars longa, vita brevis”	1825
Day 349	WoO 193	Canon “Ars longa, vita brevis”	c. 1825?
Day 350	WoO 61a	Allegretto quasi andante in G Minor	1825
Day 351	WoO 194	Canon “Si non per portas”	1825
Day 352	WoO 204	Canon “Holz geigt die Quartette so”	1825
Day 353	WoO 85	Waltz in D Major for Piano	1825
Day 354	WoO 86	Écossaise in E♭ Major for Piano	1825
Day 355	Opus 130, v. 1	String Quartet No. 13 in B♭ Major	1825
Day 356	WoO 195	Canon “Freu’ dich des Lebens”	1825
Day 357	WoO 196	Canon “Es muss sein”	1826
Day 358	Opus 131	String Quartet No. 14 in C♯ Minor	1826
Day 359	Opus 134	Grosse Fuge in B♭ for Piano Four-Hands	1826

Catalog Number Order

Opus Numbers

Catalog	Composition	Date
Opus 1, No. 1	Piano Trio No. 1 in E♭ Major	1794–95
Opus 1, No. 2	Piano Trio No. 2 in G Major	1794–95
Opus 1, No. 3	Piano Trio No. 3 in C Minor	1794–95
Opus 2, No. 1	Piano Sonata No. 1 in F Minor	1795
Opus 2, No. 2	Piano Sonata No. 2 in A Major	1795
Opus 2, No. 3	Piano Sonata No. 3 in C Major	1795
Opus 3	String Trio in E♭ Major	1795?
Opus 4	String Quintet in E♭ Major	1795
Opus 5, No. 1	Cello Sonata No. 1 in F Major	1796
Opus 5, No. 2	Cello Sonata No. 2 in G Minor	1796
Opus 6	Sonata in D for Piano Four Hands	1796–97
Opus 7	Piano Sonata No. 4 in E♭ Major	1796–97
Opus 8	Serenade in D for String Trio	1796–97
Opus 9, No. 1	String Trio No. 3 in G Major	1797–98
Opus 9, No. 2	String Trio No. 4 in D Major	1797–98
Opus 9, No. 3	String Trio No. 5 in C Minor	1797–98
Opus 10, No. 1	Piano Sonata No. 5 in C Minor	1798
Opus 10, No. 2	Piano Sonata No. 6 in F Major	1798
Opus 10, No. 3	Piano Sonata No. 7 in D Major	1798
Opus 11	Piano Trio No. 4 in B♭ Major	1797–98
Opus 12, No. 1	Violin Sonata No. 1 in D Major	1797–98
Opus 12, No. 2	Violin Sonata No. 2 in A Major	1797–98
Opus 12, No. 3	Violin Sonata No. 3 in E♭ Major	1797–98
Opus 13	Piano Sonata No. 8 “Pathétique” in C Minor	1798?
Opus 14, No. 1	Piano Sonata No. 9 in E Major	1798
Opus 14, No. 2	Piano Sonata No. 10 in G Major	1798
Opus 15	Piano Concerto No. 1 in C Major	1795–1800
Opus 16	Quartet in E♭ for Piano and Strings	1796?
Opus 16	Quintet in E♭ for Piano and Woodwinds	1796
Opus 17	Sonata in F Major for Horn and Piano	1800
Opus 18, No. 1	String Quartet No. 1 in F Major	1799–1800
Opus 18, No. 2	String Quartet No. 2 in G Major	1799–1800
Opus 18, No. 3	String Quartet No. 3 in D Major	1799–1800
Opus 18, No. 4	String Quartet No. 4 in C Minor	1799–1800
Opus 18, No. 5	String Quartet No. 5 in A Major	1799–1800
Opus 18, No. 6	String Quartet No. 6 in B♭ Major	1800
Opus 19	Piano Concerto No. 2 in B♭ Major	1795–98
Opus 20	Septet in E♭ Major	1799
Opus 21	Symphony No. 1 in C Major	1800
Opus 22	Piano Sonata No. 11 in B♭ Major	1800
Opus 23	Violin Sonata No. 4 in A Minor	1800
Opus 24	Violin Sonata No. 5 in F Major “Spring”	1800–01
Opus 25	Serenade for Flute, Violin, and Viola in D Major	1801
Opus 26	Piano Sonata No. 12 “Funeral March” in A♭ Major	1801
Opus 27, No. 1	Piano Sonata No. 13 in E♭ Major	1801
Opus 27, No. 2	Piano Sonata No. 14 “Moonlight” in C♯ Minor	1801
Opus 28	Piano Sonata No. 15 “Pastoral” in D Major	1801
Opus 29	String Quintet in C Major	1801
Opus 30, No. 1	Violin Sonata No. 6 in A Major	1802
Opus 30, No. 2	Violin Sonata No. 7 in C Minor	1802
Opus 30, No. 3	Violin Sonata No. 8 in G Major	1802
Opus 31, No. 1	Piano Sonata No. 16 in G Major	1802
Opus 31, No. 2	Piano Sonata No. 17 “Tempest” in D Minor	1802
Opus 31, No. 3	Piano Sonata No. 18 “The Hunt” in E♭ Major	1802
Opus 32	“An die Hoffnung”	1805
Opus 33	Bagatelles for Piano	1801–2
Opus 34	Variations on an Original Theme in F Major	1802
Opus 35	Variations and Fugue on a Theme from “Prometheus”	1802
Opus 36	Symphony No. 2 in D Major	1801–02
Opus 36	Symphony No. 2 Transcribed for Piano Trio	1805
Opus 37	Piano Concerto No. 3 in C Minor	1800–03
Opus 38	Trio for Clarinet, Cello, and Piano in E♭ Major	1802–03
Opus 39	Two Preludes for Piano or Organ	1789?
Opus 40	Romance No. 1 in G Major for Violin and Orchestra	c. 1801
Opus 41	Serenade for Flute and Piano in D Major	1803
Opus 42	Notturno for Viola and Piano in D Major	1803
Opus 43	The Creatures of Prometheus	1801
Opus 44	Variations on “Ja, ich muss mich” from Dittersdorf’s “Das rote Käppchen” for Piano Trio	1792
Opus 45	3 Marches for Piano Four-Hands	1803
Opus 46	“Adelaide”	1794–95
Opus 47	Violin Sonata No. 9 “Kreutzer” in A Major	1803
Opus 48	Gellert Lieder	1801–02
Opus 49, No. 1	Piano Sonata No. 19 in G Minor	1797
Opus 49, No. 2	Piano Sonata No. 20 in G Major	1795–96
Opus 50	Romance in F Major for Violin and Orchestra	1798
Opus 51, No. 1	Rondo in C for Piano	c. 1796–97
Opus 51, No. 2	Rondo in G for Piano	c. 1798
Opus 52, No. 1	“Urians Reise um die Welt”	before 1793
Opus 52, No. 2	“Feuerfarb’”	c. 1792, rev. 1803
Opus 52, No. 3	“Das Liedchen von der Ruhe”	c. 1793, rev. 1795
Opus 52, No. 4	“Maigesang”	c. 1795
Opus 52, No. 5	“Mollys Abschied”	c. 1795
Opus 52, No. 6	“Die Liebe”	c. 1790
Opus 52, No. 7	“Marmotte”	c. 1790–92
Opus 52, No. 8	“Das Blümchen Wunderhold”	c. 1795
Opus 53	Piano Sonata No. 21 “Waldstein” in C Major	1803–04
Opus 54	Piano Sonata No. 22 in F Major	1804
Opus 55	Symphony No. 3 “Eroica” in E♭ Major	1803–04
Opus 56	Triple Concerto in C Major	1804
Opus 57	Piano Sonata No. 23 “Appassionata” in F Minor	1804–6
Opus 58	Piano Concerto No. 4 in G Major	1806
Opus 59, No. 1	String Quartet No. 7 “Razumovsky” in F Major	1806
Opus 59, No. 2	String Quartet No. 8 “Razumovsky” in E Minor	1806
Opus 59, No. 3	String Quartet No. 9 “Razumovsky” in C Major	1806
Opus 60	Symphony No. 4 in B♭ Major	1806
Opus 61	Violin Concerto in D Major	1806
Opus 61a	Piano Concerto in D Major	1807
Opus 62	Coriolan Overture	1807
Opus 63	Piano Trio Arrangement of Opus 4	1806
Opus 64	Cello Sonata Arrangement of Opus 3	1807
Opus 65	“Ah! Perfido” for soprano and orchestra	1796
Opus 66	Variations on “Ein Mädchen oder Weibchen” from Mozart’s “The Magic Flute”	1796
Opus 67	Symphony No. 5 in C Minor	1807–08
Opus 68	Symphony No. 6 “Pastoral” in F Major	1808
Opus 69	Cello Sonata No. 3 in A Major	1807–08
Opus 70, No. 1	Piano Trio No. 5 “Ghost” in D Major	1808
Opus 70, No. 2	Piano Trio No. 6 in E♭ Major	1808
Opus 71	Sextet in E♭ for 2 clarinets, 2 bassoons, and 2 horns	1796?
Opus 72	Fidelio	1814
Opus 72	Fidelio Overture	1814
Opus 72	Leonore 1805	1804–05
Opus 72	Leonore 1806	rev. 1806
Opus 72a	Leonore Overture No. 2	1805
Opus 72b	Leonore Overture No. 3	1806
Opus 73	Piano Concerto No. 5 “Emperor” in E♭ Major	1809
Opus 74	String Quartet No. 10 “Harp” in E♭ Major	1809
Opus 75, No. 1	“Kennst du das Land” / “Mignon”	1809
Opus 75, No. 2	“Neue Liebe, neues Leben”	1809
Opus 75, No. 3	“Aus Goethes Faust” / “Flohlied”	1809
Opus 75, No. 4	“Gretels Warnung”	1809
Opus 75, No. 5	“An den fernen Geliebten”	1809
Opus 75, No. 6	“Der Zufriedene”	1809
Opus 76	6 Variations for Piano in D Major	1809
Opus 77	Fantasy for Piano in G Minor	1809
Opus 78	Piano Sonata No. 24 “à Thérèse” in F♯ Major	1809
Opus 79	Piano Sonata No. 25 in G Major	1809
Opus 80	Choral Fantasy in C Major	1808
Opus 81a	Piano Sonata No. 26 “Les Adieux” in E♭ Major	1809
Opus 81a, mm 1	Das Lebewohl for Piano	1809
Opus 81b	Sextet in E♭ Major for 2 Horns, 2 Violins, Viola, and Cello	1795
Opus 82, No. 1	“Hoffnung” / “Dimmi, ben mio, che m’ami”	1809
Opus 82, No. 2	“Liebes-Klage” / “T’intendo sì, mio cor”	1809
Opus 82, No. 3	“L’amante impatiente” / “Stille Frage” – Arietta buffa	1809
Opus 82, No. 4	“L’amante impatiente” / “Liebes-Ungeduld” – Arietta assai seriosa	1809
Opus 82, No. 5	“Lebens-Genuss” / “Odi l’aura che dolce sospira”	1809
Opus 83, No. 1	“Wonne der Wehmut”	1810
Opus 83, No. 2	“Sehnsucht”	1810
Opus 83, No. 3	“Mit einem gemalten Band”	1810
Opus 84	Egmont Overture and Incidental Music	1810
Opus 85	Christ on the Mount of Olives	1803–04
Opus 86	Mass in C Major	1807
Opus 87	Trio for Two Oboes and English Horn	1795?
Opus 88	“Lebensglück”	1803
Opus 88	“Vita Felice”	1803
Opus 89	Polonaise in C Major for Piano	1814
Opus 90	Piano Sonata No. 27 in E Minor	1814
Opus 91	Wellington’s Victory	1813
Opus 92	Symphony No. 7 in A Major	1812
Opus 93	Symphony No. 8 in F Major	1812
Opus 94	“An die Hoffnung”	1813–15
Opus 95	String Quartet No. 11 “Serioso” in F Minor	1810
Opus 96	Violin Sonata No. 10 in G Major	1812
Opus 97	Piano Trio No. 7 “Archduke” in B♭ Major	1811
Opus 98	“An die ferne Geliebte”	1816
Opus 99	“Der Mann von Wort”	1816
Opus 100	“Merkenstein” for duet	1814
Opus 101	Piano Sonata No. 28 in A Major	1816
Opus 102, No. 1	Cello Sonata No. 4 in C Major	1815
Opus 102, No. 2	Cello Sonata No. 5 in D Major	1815
Opus 103	Wind Octet	1792–93?
Opus 104	String Quintet in C Minor Arrangement of Opus 1, No. 3	1817
Opus 105	6 National Airs with Variations	1818–19
Opus 106	Piano Sonata No. 29 “Hammerklavier” in B♭ Major	1818
Opus 107	10 National Airs with Variations	1818–19
Opus 108, No. 1	Setting of “Music, Love and Wine” CFS XII/6	1817
Opus 108, No. 2	“Sunset” CFS XIII/2	1818
Opus 108, No. 3	Setting of “Oh Sweet were the Hours” CFS XII/2	1817
Opus 108, No. 5	Setting of “The Sweetest Lad was Jamie,” CFS VI/13	1814–15
Opus 108, No. 6	Setting of “Dim, dim is my eye.” CFS VI/11	1814–15
Opus 108, No. 7	Setting of “Bonny Laddie, Highland Laddie,” CFS VI/12	1814–15
Opus 108, No. 8	Setting of “The Lovely Lass of Inverness” CFS VIII/4	1816
Opus 108, No. 9	Setting of “Behold, my Love, how Green the Groves” CFS XII/9	1817
Opus 108, No. 11	Setting of “Oh! thou art the Lad of my Heart,” CFS VII/3	1815
Opus 108, No. 13	Setting of “Come fill, fill, my Good Fellow” CFS XII/5	1817
Opus 108, No. 16	Setting of “Could this Ill World have been contriv’d” CFS VIII/2	1816
Opus 108, No. 17	Setting of “O Mary, at thy Window be” CFS XII/3	1817
Opus 108, No. 18	“Enchantress, Farewell” CFS XIII/3	1818
Opus 108, No. 19	Setting of “O swiftly glides the Bonny Boat,” CFS VI/15	1814–15
Opus 108, No. 20	Setting of “Faithfu’ Johnie” CFS IV/4	1812–13
Opus 108, No. 22	Setting of “The Highland Watch” CFS X/7	1816–17
Opus 108, No. 23	“The Shepherd’s Song” CFS XIII/1	1818
Opus 108, No. 24	Setting of “Again, my Lyre, yet once again,” CFS VI/10	1814–15
Opus 108, No. 25	Setting of “Sally in our Alley” CFS X/3	1816–17
Opus 109	Piano Sonata No. 30 in E Major	1820
Opus 110	Piano Sonata No. 31 in A♭ Major	1821–2
Opus 111	Piano Sonata No. 32 in C Minor	1822
Opus 112	Calm Sea and Prosperous Voyage	1814–15
Opus 113	The Ruins of Athens	1811
Opus 114	The Consecration of the House: March and Chorus	1822
Opus 115	Namensfeier Overture in C Major	1814–15
Opus 116	“Tremate, empi, tremate” for Soprano, Tenor, Bass and Orchestra	1802
Opus 117	King Stephen	1811
Opus 118	Elegischer Gesang for Voices and String Quartet	1814
Opus 119	11 Bagatelles for Piano	1820–22
Opus 120	Diabelli Variations	1823
Opus 121a	Variations on “Ich bin der Schneider Kakadu”	c. 1816
Opus 121b, v.1	“Opferlied” for Voices and Chamber Orchestra	1822
Opus 121b, v.2	“Opferlied” for Voices and Chamber Orchestra	1824
Opus 122	“Bundeslied” for Voices and Chamber Orchestra	1823–24
Opus 123	Missa Solemnis	1822
Opus 123	Missa Solemnis: Agnus Dei	1822
Opus 123	Missa Solemnis: Credo	1822
Opus 123	Missa Solemnis: Gloria	1822
Opus 123	Missa Solemnis: Kyrie	1822
Opus 123	Missa Solemnis: Sanctus and Benedictus	1822
Opus 124	The Consecration of the House: Overture	1822
Opus 125	Symphony No. 9 in D Minor	1824
Opus 126	6 Bagatelles	1824
Opus 127	String Quartet No. 12 in E♭ Major	1824–25
Opus 128	“Der Kuss”	1822
Opus 129	Rondo in G Major “Rage Over a Lost Penny”	1795
Opus 130, v. 1	String Quartet No. 13 in B♭ Major	1825
Opus 131	String Quartet No. 14 in C♯ Minor	1826
Opus 132	String Quartet No. 15 in A Minor	1825
Opus 134	Grosse Fuge in B♭ for Piano Four-Hands	1826
Opus 136	Der glorreiche Augenblick	1814
Opus 137	Fugue in D Major for String Quintet	1817
Opus 138	Leonore Overture No. 1	1807

Without Opus Numbers

Catalog	Composition	Date
WoO 1	Music for a “Ritterballet”	1790–91
WoO 2a	Triumph March for Tarpeja	1813
WoO 3	Gratulations-Menuett	1822
WoO 4	Piano Concerto No. 0	1784
WoO 5	Violin Concerto Fragment	c. 1790–92
WoO 6	Rondo for Piano and Orchestra	1793–94
WoO 7	12 Minuets for Orchestra	1795
WoO 8	12 German Dances for Orchestra	1795
WoO 8	12 German Dances for Piano	1795
WoO 9	6 Minuets for Two Violins and Cello	c. 1795
WoO 10	6 Minuets for Piano	1795
WoO 10, No. 2	Minuet in G	1795
WoO 11	7 Ländler for Piano	1799
WoO 12	12 Minuets for Orchestra	1799
WoO 13	12 German Dances	c. 1792–97
WoO 14	12 Contradances for Orchestra	c. 1791–1801
WoO 15	6 Ländler for Two Violins and Bass	1802
WoO 16	12 Écossaises for Piano	c. 1806
WoO 17	11 Mödling Dances	1819?
WoO 18	March in F Major for Military Band	1809–10
WoO 19	March in F Major for Military Band	1810
WoO 20	March in C Major for Military Band	c. 1810?
WoO 21	Polonaise in D Major for Military Band	1810
WoO 22	Ecossaise in D Major for Military Band	1810
WoO 23	Ecossaise in G Major for Military Band	c. 1810
WoO 24	March in D Major for Military Band	1816
WoO 25	Rondo in E♭ for Wind Octet	1793?
WoO 26	Duo for 2 Flutes	1792
WoO 27, No. 1	Duo for Clarinet and Bassoon in C Major	1792?
WoO 27, No. 2	Duo for Clarinet and Bassoon in F Major	1792?
WoO 27, No. 3	Duo for Clarinet and Bassoon in B♭	1792?
WoO 28	Variations on “Là ci darem la mano” from Mozart’s “Don Giovanni” for Two Oboes and English Horn	1795?
WoO 29	March in B♭ Major	1797–98
WoO 30	3 Equali for Four Trombones	1812
WoO 31	Fugue in D for Organ	1783
WoO 32	Duet for Two Obbligato Eyeglasses	1796–97
WoO 33	5 Pieces for a Flute Clock	1799
WoO 34	Duet for Two Violins	1822
WoO 35	Canon in A Major for Two Instruments	1825
WoO 36, No. 1	Piano Quartet in E♭ Major	1785
WoO 36, No. 2	Piano Quartet in D Major	1785
WoO 36, No. 3	Piano Quartet in C Major	1785
WoO 37	Trio in G for Piano, Flute & Bassoon	1786?
WoO 38	Piano Trio in E♭ Major	1791?
WoO 39	Allegretto for Piano Trio in B♭ Major	1812
WoO 40	Variations on “Se vuol ballare" from Mozart's “The Marriage of Figaro” for Violin and Piano	1792–93
WoO 41	Rondo in G for Violin and Piano	1793–94
WoO 42	6 German Dances for Violin and Piano	1796
WoO 43a	Sonatina in C Minor for Mandolin and Harpsichord	1796
WoO 43b	Adagio in E♭ for Mandolin and Harpsichord	1796
WoO 44a	Sonatina in C Major for Mandolin and Harpsichord	1796
WoO 44b	Andante with Variations in D Major for Mandolin and Harpsichord	1796
WoO 45	Variations on “See the Conqu’ring Hero” from Handel’s “Judas Maccabaeus”	1796
WoO 46	Variations on Mozart’s “Bei Männern” for Cello and Piano	1801
WoO 47, No. 1	Piano Sonata in E♭ Major	1783
WoO 47, No. 2	Piano Sonata in F Minor	1783
WoO 47, No. 3	Piano Sonata in D Major	1783
WoO 48	Rondo in C Major	1783
WoO 49	Rondo in A Major	1783
WoO 50	Sonatina for Piano in F Major	1792?
WoO 51	Two Movements for Orphica	1797?
WoO 52	Presto in C Minor for Piano	c. 1795
WoO 53	Allegretto in C Minor	1796–97
WoO 54	Bagatelle “Lustig-Traurig”	1802?
WoO 55	Prelude for Piano in F Minor	1786–87?
WoO 56	Allegretto in C Major	1803
WoO 57	Andante Favori in F Major	1803
WoO 58	Cadenzas for Mozart’s Piano Concerto No. 20 in D Minor, K. 466	c. 1809
WoO 59	Bagatelle “Für Elise” in A Minor	1810?
WoO 60	Bagatelle in B♭ Major	1818
WoO 61	Allegretto in B Minor	1821
WoO 61a	Allegretto quasi andante in G Minor	1825
WoO 63	Variations on a March by Dressler	1782
WoO 64	Variations on a Swiss Air for Harp or Piano	1792?
WoO 65	Variations on “Venni amore” by Righini	1790–91
WoO 66	Variations on “Es war einmal” from Dittersdorf’s “Das rote Käppchen”	1792
WoO 67	Variations on a Theme by Count Waldstein for Piano Four Hands	1792?
WoO 68	Variations on “Menuett à la Viganò” from Haibel’s “Le nozze disturbate”	1795
WoO 69	Variations on “Quant’ è più bello” from Paisiello’s “La molinara”	1795
WoO 70	Variations on “Nel cor più non mi sento” from Paisiello’s “La molinara”	1795
WoO 71	Variations on a Russian Dance from Wranitzky’s “Das Waldmädchen”	1796–97
WoO 72	Variations on “Une frèvre brûlante” from Grétry’s “Richard Coeur de Lion”	1795
WoO 73	Variations on “La stessa, la stessissima” from Salieri’s “Falstaff”	1799
WoO 74	“Ich denke dein” with Variations for Four Hands	1799
WoO 75	Variations on “Kind, willst du ruhig schlafen” from Winter’s “Das unterbrochene Opferfest”	1799
WoO 76	Variations on “Tändeln und Scherzen” from Süssmayr’s “Soliman II”	1799
WoO 77	Variations for Piano in G Major	1800
WoO 78	Variations on “God Save the King”	1803
WoO 79	Variations on “Rule Britannia”	1803
WoO 80	32 Variations on an Original Theme	1806
WoO 81	Allemande in A for Piano	1793
WoO 82	Minuet in E♭ Major	1785?
WoO 83	6 Écossaises for Piano	c. 1806
WoO 84	Waltz in E♭ Major for Piano	1824
WoO 85	Waltz in D Major for Piano	1825
WoO 86	Écossaise in E♭ Major for Piano	1825
WoO 87	Cantata on the Death of Joseph II	1790
WoO 88	Cantata on the Accession of Leopold II	1790
WoO 89	“Prüfung des Küssens”	1790–92
WoO 90	“Mit Mädeln sich vertragen”	1790–92
WoO 91, No. 1	“O welch’ ein Leben!”	c. 1795
WoO 91, No. 2	“Soll ein Schuh nicht drücken”	c. 1795
WoO 92	“Primo Amore” for Soprano and Orchestra	1790–92
WoO 92a	“No, non turbarti” for Soprano and Strings	1802
WoO 93	“Nei giorni tuoi felici” for Soprano, Tenor, and Orchestra	1802
WoO 94	Germania Chorus from “Die gute Nachricht”	1814
WoO 95	Chorus for the Allied Princes	1814
WoO 96	Leonore Porhaska Incidental Music	1815
WoO 96	Leonore Prohaska Incidental Music	1815
WoO 97	Es ist Vollbracht Chorus from “Die Ehrenpforten”	1815
WoO 98	The Consecration of the House: “Wo sich die Pulse”	1822
WoO 99	Italian Part-Songs	c. 1801–1802
WoO 100	“Lob auf den Dicken” for Three Voices & Chorus	1801
WoO 101	Musical Joke “Graf, Graf, liebster Graf”	1802
WoO 102	“Abschiedsgesang” for Two Tenors and Bass	1814
WoO 103	Cantata “Un lieto brindisi” for four voices and piano	1814
WoO 104	Song of the Monks	1817
WoO 105	Wedding Song	1819
WoO 106	Birthday Cantata for Prince Lobkowitz	1823
WoO 107	“Schilderung eines Mädchens”	1783
WoO 108	“An einen Säugling”	1784
WoO 109	“Erhebt das Glas mit froher Hand”	1790?
WoO 110	“Elegie auf den Tod eines Pudels”	1792?
WoO 111	“Punschlied”	1790–92?
WoO 112	“An Laura”	1792?
WoO 113	“Klage”	1790?
WoO 114	“Selbstgespräch”	1792?
WoO 115	“An Minna”	1792?
WoO 116	“Que le temps me dure”	1793
WoO 117	“Der freie Mann”	1792–94
WoO 118	“Seufzer eines Ungeliebten” / “Gegenliebe”	1794–95
WoO 119	“O care selve”	1794
WoO 120	“Man Strebt, die Flamme zu Verhehlen”	1800
WoO 121	“Abschiedsgesang an Wiens Bürger”	1796
WoO 122	“Kriegslied der Öesterreicher”	1797
WoO 123	“Ich liebe Dich”	c. 1795
WoO 124	“La Partenza”	c. 1795–96
WoO 125	“La Tiranna”	1798
WoO 126	“Opferlied”	1798
WoO 127	“Neue Liebe, Neues Leben”	1798–99
WoO 128	“Romance” / “Plaisir d’aimer”	1798–99
WoO 129	“Der Wachtelschlag”	1803
WoO 130	“Gedenke mein!”	1820
WoO 131	“Erlkönig”	1796
WoO 132	“Als die Geliebte sich Trennen Wollte”	1806
WoO 133	“In Questa Tomba Oscura”	1807
WoO 134	“Sehnsucht”	1807–08
WoO 135	“Die laute Klage”	c. 1815?
WoO 136	“Andenken”	1805
WoO 137	“Lied aus der Ferne”	1809
WoO 138	“Der Jüngling in der Fremde”	1809
WoO 139	“Der Liebende”	1809
WoO 140, v. 1	“An die Geliebte”	1811
WoO 140, v. 2	“An die Geliebte”	1811
WoO 140, v. 3	“An die Geliebte”	1814
WoO 141	“Der Gesang der Nachtigall”	1813
WoO 142	“Der Bardengeist”	1813
WoO 143	“Des Kriegers Abscheid”	1814
WoO 144	“Merkenstein”	1814
WoO 145	“Das Geheimnis”	1815
WoO 146	“Sehnsucht”	1816
WoO 147	“Ruf vom Berge”	1816
WoO 148	“So oder so”	1817
WoO 149	“Resignation”	1817
WoO 150	“Abendlied unterm gestirnten Himmel”	1820
WoO 151	“Der edle Mensch”	1823
WoO 152, No. 1	Setting of “The Return to Ulster” CFS II/8	1810
WoO 152, No. 2	Setting of “Sweet Power of Song” CFS I/39	1809–10
WoO 152, No. 3	Setting of “Once more I hail thee” CFS I/35	1809–10
WoO 152, No. 4	Setting of “The Morning Air plays on my Face” CFS I/38	1809–10
WoO 152, No. 5	Setting of “On the Massacre of Glencoe” CFS I/28	1809–10
WoO 152, No. 8	Setting of “Come draw we Round a Cheerful Ring” CFS II/7	1810
WoO 152, No. 9	Setting of “The Soldier’s Dream” CFS I/31	1809–10
WoO 152, No. 11	Setting of “Thou Emblem of Faith” CFS III/2	1811–12
WoO 152, No. 12	Setting of “English Bulls; or, The Irishman in London” CFS I/36	1809–10
WoO 152, No. 13	Setting of “Musing on the Roaring Ocean” CFS III/3	1811–12
WoO 152, No. 14	Setting of “Dermot and Shelah” CFS I/29	1809–10
WoO 152, No. 15	Setting of “Let Brain-spinning Swains” CFS II/10	1810
WoO 152, No. 17	Setting of “In Vain to this Desart” CFS I/27	1809–10
WoO 152, No. 18	Setting of “They bid me Slight my Dermot Dear” CFS I/32	1809–10
WoO 152, No. 19	Setting of “Wife, Children and Friends” CFS III/9	1811–12
WoO 152, No. 20	Setting of “Farewell Bliss and Farewell Nancy” CFS II/6	1810
WoO 152, No. 21	Setting of “Morning a Cruel Turmoiler is” CFS III/6	1811–12
WoO 152, No. 22	Setting of “From Garyone, my Happy Home” CFS III/7	1811–12
WoO 152, No. 23	Setting of “The Wand'ring Gypsy” CFS II/3	1810
WoO 152, No. 25	Setting of “Oh Harp of Erin” CFS III/4	1811–12
WoO 153, No. 4	Setting of “Since Greybeards inform us that Youth will decay” CFS I/40	1809–10
WoO 153, No. 7	Setting of “O soothe me, my Lyre” CFS V/15	1812–13
WoO 153, No. 9	Setting of “The Kiss, Dear Maid, thy Lip has left” CFS V/5	1812–13
WoO 153, No. 14	Setting of “Paddy O’Rafferty, Merry and Vigorous” CFS I/42	1809–10
WoO 153, No. 16	Setting of “O might I but my Patrick love” CFS V/3	1812–13
WoO 153, No. 20	Setting of “Thy Ship must sail, my Henry Dear” CFS V/2	1812–13
WoO 154, No. 1	Setting of “The Elfin Fairies” CFS V/10	1812–13
WoO 154, No. 3	Setting of “The Farewell Song” CFS V/11	1812–13
WoO 154, No. 4	Setting of “The Pulse of an Irishman” CFS V/12	1812–13
WoO 154, No. 5	Setting of “Oh! who, my Dear Dermot” CFS V/14	1812–13
WoO 154, No. 7	Setting of “From Garyone, my Happy Home” CFS IV/8	1812–13
WoO 154, No. 9	Setting of “Oh! would I were but that Sweet Linnet” CFS IV/9	1812–13
WoO 154, No. 11	Setting of “The Soldier in a Foreign Land” CFS V/8	1812–13
WoO 154, No. 12	Setting of “He promis’d me at Parting” CFS V/7	1812–13
WoO 155, No. 1	Setting of “Sion, the son of Evan” CFS I/23	1809–10
WoO 155, No. 8	Setting of “Farewell, thou Noisy Town,” CFS I/11	1809–10
WoO 155, No. 9	Setting of “To the Aeolian Harp” CFS I/22	1809–10
WoO 155, No. 14	Setting of “The Dream,” CFS I/6	1809–10
WoO 155, No. 15	Setting of “When Mortals all to Rest retire” CFS V/21	1813
WoO 155, No. 17	Setting of “The Dairy House,” CFS I/8	1809–10
WoO 155, No. 19	Setting of “The Vale of Clwyd,” CFS I/18	1809–10
WoO 155, No. 21	Setting of “Cupid’s Kindness” CFS I/20	1809–10
WoO 155, No. 22	Setting of “Constancy,” CFS I/16	1809–10
WoO 155, No. 25	Setting of “The Parting Kiss,” CFS VI/8	1814–15
WoO 156, No. 8	Setting of “Womankind” CFS XIV/3	1818
WoO 156, No. 9	Setting of “Lochnagar” CFS XIV/1	1818
WoO 156, No. 11	Setting of “Auld Lang Syne” CFS XIV/4	1818
WoO 157, No. 4	Setting of “O sanctissima” CFS XII/11	1817
WoO 157, No. 10	Setting of “Sir Johnie Cope” CFS XII/10	1817
WoO 158a, No 17	Setting of “Vaggvisa” CFS XI/1	1816–17
WoO 158a, No. 2	Setting of “Horch auf, mein Liebchen” CFS IX/11	1816
WoO 158a, No. 7	Setting of “Wer solche Buema afipackt” CFS XI/2	1816–17
WoO 158a, No. 11	Setting of “Yo no queiero embarcarme” CVS IX/9	1816
WoO 158a, No. 12	Setting of “Seus lindos alhos” CFS IX/10	1816
WoO 158a, No. 14	Setting of “Akh, rečen’ki, rečen’ki” CFS IX/2	1816
WoO 158a, No. 16	Setting of “Schöne Minka, ich muss scheiden” CFS VIII/6	1816
WoO 158a, No. 19	Setting of “Una paloma blanca” CFS IX/5	1816
WoO 158a, No. 21	Setting of “Tiranilla Española” CFS IX/7	1816
WoO 158b, No. 6	Setting of “O Mary ye’s be Clad in Silk,” CFS VI/7	1814–15
WoO 159	Canon “Im Arm der Liebe ruht sich’s wohl”	1795
WoO 160, No. 1	Canon for 3 voices	1795
WoO 160, No. 2	Canon in 4 voices	1795
WoO 161	Canon “Ewig dein”	1811
WoO 162	Canon “Ta ta ta” / “An Mälzel”	attr. 1812
WoO 163	Canon “Kurz ist der Schmerz”	1813
WoO 164	Canon “Freundschaft ist die Quelle”	1814
WoO 165	Canon “Glück zum neuen Jahr”	1815
WoO 166	Canon “Kurz ist der Schmerz”	1815
WoO 167	Canon “Brauchle, Linke”	c. 1815
WoO 168	Canon “Das Schweigen” and “Das Reden”	1816
WoO 169	Canon “Ich küsse sie”	1816
WoO 170	Canon “Ars longa, vita brevis”	1816
WoO 171	Canon “Glück fehl’ dir”	1817
WoO 172	Canon “Ich bitt’ dich”	c. 1818
WoO 173	Canon “Hol’ euch der Teufel”	1819
WoO 174	Canon “Glaube und Hoffe”	1819
WoO 175	Canon “Sankt Petrus”	1820
WoO 176	Canon “Glück zum neuen Jahr”	1819
WoO 177	Canon “Bester Magistrat”	c. 1820
WoO 178	Canon “Signor Abate!”	c. 1820?
WoO 179	Canon “Seiner kaiserlichen Hoheit”	1819
WoO 180	Canon “Hoffmann, sei ja ein Hofmann”	1820
WoO 181, No. 1	Canon “Gedenket heute an Baden”	1822
WoO 181, No. 2	Canon “Gehabt euch wohl”	1822
WoO 181, No. 3	Canon “Tugend is kein leerer Name”	1822
WoO 182	Canon “O Tobias”	1821
WoO 183	Canon “Bester Herr Graf”	1823
WoO 184	Canon “Falstafferel, lass’ dich sehen”	1823
WoO 185	“Edel sei der Mensch”	1823
WoO 186	Canon “Te solo adoro”	1824
WoO 187	Canon “Schwenke dich”	1824
WoO 188	Canon “Gott ist eine feste Burg”	1825
WoO 189	Canon “Doktor sperrt das Tor”	1825
WoO 190	Canon “Ich war hier, Doktor”	1825
WoO 191	Canon “Kühl, nicht lau”	1825
WoO 192	Canon “Ars longa, vita brevis”	1825
WoO 193	Canon “Ars longa, vita brevis”	c. 1825?
WoO 194	Canon “Si non per portas”	1825
WoO 195	Canon “Freu’ dich des Lebens”	1825
WoO 196	Canon “Es muss sein”	1826
WoO 199	Musical joke “Ich bin der Herr von zu, Du bist der Herr von von”	1814
WoO 200	“O Hoffnung” theme for Archduke Rudolph	1818
WoO 201	Musical Joke “Ich bin bereit”	1818
WoO 202	Canon “Das Schöne zum Guten”	1823
WoO 203	Canon “Das Schöne zu dem Guten”	1825
WoO 204	Canon “Holz geigt die Quartette so”	1825
WoO 221	Musical joke “Herr Graf, ich komme zu fragen”	1797?

Hess Numbers

Catalog	Composition	Date
Hess 30	Prelude and Fugue in F Major	1794–95
Hess 31	Prelude and Fugue in C Major	1794–95
Hess 34	String Quartet in F Major	1801–2
Hess 40	Prelude and Fragment of Fugue in D Minor for String Quintet	1817
Hess 115	Vestas Feuer, Scene 1	1803
Hess 118	The Consecration of the House	1822
Hess 297	Adagio for in A♭ Major for 3 Horns	1815

Cooper Folksong Numbers

Catalog	Composition	Date
CFS I/6	Setting of “The Dream,” (WoO 155, No. 14)	1809–10
CFS I/8	Setting of “The Dairy House,” (WoO 155, No. 17)	1809–10
CFS I/11	Setting of “Farewell, thou Noisy Town,” (WoO 155, No. 8)	1809–10
CFS I/16	Setting of “Constancy,” (WoO 155, No. 22)	1809–10
CFS I/18	Setting of “The Vale of Clwyd,” (WoO 155, No. 19)	1809–10
CFS I/20	Setting of “Cupid’s Kindness” (WoO 155, No. 21)	1809–10
CFS I/22	Setting of “To the Aeolian Harp” (WoO 155, No. 9)	1809–10
CFS I/23	Setting of “Sion, the son of Evan” (WoO 155, No. 1)	1809–10
CFS I/27	Setting of “In Vain to this Desart” (WoO 152, No. 17)	1809–10
CFS I/28	Setting of “On the Massacre of Glencoe” (WoO 152, No. 5)	1809–10
CFS I/29	Setting of “Dermot and Shelah” (WoO 152, No. 14)	1809–10
CFS I/31	Setting of “The Soldier’s Dream” (WoO 152, No. 9)	1809–10
CFS I/32	Setting of “They bid me Slight my Dermot Dear” (WoO 152, No. 18)	1809–10
CFS I/35	Setting of “Once more I hail thee” (WoO 152, No. 3)	1809–10
CFS I/36	Setting of “English Bulls; or, The Irishman in London” (WoO 152, No. 12)	1809–10
CFS I/38	Setting of “The Morning Air plays on my Face” (WoO 152, No. 4)	1809–10
CFS I/39	Setting of “Sweet Power of Song” (WoO 152, No. 2)	1809–10
CFS I/40	Setting of “Since Greybeards inform us that Youth will decay” (WoO 153, No. 4)	1809–10
CFS I/42	Setting of “Paddy O’Rafferty, Merry and Vigorous” (WoO 153, No. 14)	1809–10
CFS II/3	Setting of “The Wand'ring Gypsy” (WoO 152, No. 23)	1810
CFS II/6	Setting of “Farewell Bliss and Farewell Nancy” (WoO 152, No. 20)	1810
CFS II/7	Setting of “Come draw we Round a Cheerful Ring” (WoO 152, No. 8)	1810
CFS II/8	Setting of “The Return to Ulster” (WoO 152, No. 1)	1810
CFS II/10	Setting of “Let Brain-spinning Swains” (WoO 152, No. 15)	1810
CFS III/2	Setting of “Thou Emblem of Faith” (WoO 152, No. 11)	1811–12
CFS III/3	Setting of “Musing on the Roaring Ocean” (WoO 152, No. 13)	1811–12
CFS III/4	Setting of “Oh Harp of Erin” (WoO 152, No. 25)	1811–12
CFS III/6	Setting of “Morning a Cruel Turmoiler is” (WoO 152, No. 21)	1811–12
CFS III/7	Setting of “From Garyone, my Happy Home” (WoO 152, No. 22)	1811–12
CFS III/9	Setting of “Wife, Children and Friends” (WoO 152, No. 19)	1811–12
CFS IV/4	Setting of “Faithfu’ Johnie” (Opus 108, No. 20)	1812–13
CFS IV/8	Setting of “From Garyone, my Happy Home” (WoO 154, No. 7)	1812–13
CFS IV/9	Setting of “Oh! would I were but that Sweet Linnet” (WoO 154, No. 9)	1812–13
CFS V/2	Setting of “Thy Ship must sail, my Henry Dear” (WoO 153, No. 20)	1812–13
CFS V/3	Setting of “O might I but my Patrick love” (WoO 153, No. 16)	1812–13
CFS V/5	Setting of “The Kiss, Dear Maid, thy Lip has left” (WoO 153, No. 9)	1812–13
CFS V/7	Setting of “He promis’d me at Parting” (WoO 154, No. 12)	1812–13
CFS V/8	Setting of “The Soldier in a Foreign Land” (WoO 154, No. 11)	1812–13
CFS V/10	Setting of “The Elfin Fairies” (WoO 154, No. 1)	1812–13
CFS V/11	Setting of “The Farewell Song” (WoO 154, No. 3)	1812–13
CFS V/12	Setting of “The Pulse of an Irishman” (WoO 154, No. 4)	1812–13
CFS V/14	Setting of “Oh! who, my Dear Dermot” (WoO 154, No. 5)	1812–13
CFS V/15	Setting of “O soothe me, my Lyre” (WoO 153, No. 7)	1812–13
CFS V/21	Setting of “When Mortals all to Rest retire” (WoO 155, No. 15)	1813
CFS VI/7	Setting of “O Mary ye’s be Clad in Silk,” (WoO 158b, No. 6)	1814–15
CFS VI/8	Setting of “The Parting Kiss,” (WoO 155, No. 25)	1814–15
CFS VI/10	Setting of “Again, my Lyre, yet once again,” (Opus 108, No. 24)	1814–15
CFS VI/11	Setting of “Dim, dim is my eye.” (Opus 108, No. 6)	1814–15
CFS VI/12	Setting of “Bonny Laddie, Highland Laddie,” (Opus 108, No. 7)	1814–15
CFS VI/13	Setting of “The Sweetest Lad was Jamie,” (Opus 108, No. 5)	1814–15
CFS VI/15	Setting of “O swiftly glides the Bonny Boat,” (Opus 108, No. 19)	1814–15
CFS VII/3	Setting of “Oh! thou art the Lad of my Heart,” (Opus 108, No. 11)	1815
CFS VIII/2	Setting of “Could this Ill World have been contriv’d” (Opus 108, No. 16)	1816
CFS VIII/4	Setting of “The Lovely Lass of Inverness” (Opus 108, No. 8)	1816
CFS VIII/6	Setting of “Schöne Minka, ich muss scheiden” (WoO 158a, No. 16)	1816
CFS IX/2	Setting of “Akh, rečen’ki, rečen’ki” (WoO 158a, No. 14)	1816
CFS IX/5	Setting of “Una paloma blanca” (WoO 158a, No. 19)	1816
CFS IX/7	Setting of “Tiranilla Española” (WoO 158a, No. 21)	1816
CFS IX/10	Setting of “Seus lindos alhos” (WoO 158a, No. 12)	1816
CFS IX/11	Setting of “Horch auf, mein Liebchen” (WoO 158a, No. 2)	1816
CFS X/3	Setting of “Sally in our Alley” (Opus 108, No. 25)	1816–17
CFS X/7	Setting of “The Highland Watch” (Opus 108, No. 22)	1816–17
CFS XI/1	Setting of “Vaggvisa” (WoO 158a, No 17)	1816–17
CFS XI/2	Setting of “Wer solche Buema afipackt” (WoO 158a, No. 7)	1816–17
CFS XII/2	Setting of “Oh Sweet were the Hours” (Opus 108, No. 3)	1817
CFS XII/3	Setting of “O Mary, at thy Window be” (Opus 108, No. 17)	1817
CFS XII/5	Setting of “Come fill, fill, my Good Fellow” (Opus 108, No. 13)	1817
CFS XII/6	Setting of “Music, Love and Wine” (Opus 108, No. 1)	1817
CFS XII/9	Setting of “Behold, my Love, how Green the Groves” (Opus 108, No. 9)	1817
CFS XII/10	Setting of “Sir Johnie Cope” (WoO 157, No. 10)	1817
CFS XII/11	Setting of “O sanctissima” (WoO 157, No. 4)	1817
CFS XIII/1	“The Shepherd’s Song” (Opus 108, No. 23)	1818
CFS XIII/2	“Sunset” (Opus 108, No. 2)	1818
CFS XIII/3	“Enchantress, Farewell” (Opus 108, No. 18)	1818
CFS XIV/1	Setting of “Lochnagar” (WoO 156, No. 9)	1818
CFS XIV/3	Setting of “Womankind” (WoO 156, No. 8)	1818
CFS XIV/4	Setting of “Auld Lang Syne” (WoO 156, No. 11)	1818

Alphabetical Order

Catalog	Composition	Date
Opus 65	“Ah! Perfido” for soprano and orchestra	1796
WoO 132	“Als die Geliebte sich Trennen Wollte”	1806
Opus 75, No. 3	“Aus Goethes Faust” / “Flohlied”	1809
WoO 150	“Abendlied unterm gestirnten Himmel”	1820
WoO 121	“Abschiedsgesang an Wiens Bürger”	1796
WoO 102	“Abschiedsgesang” for Two Tenors and Bass	1814
Opus 46	“Adelaide”	1794–95
Opus 75, No. 5	“An den fernen Geliebten”	1809
Opus 98	“An die ferne Geliebte”	1816
WoO 140, v. 2	“An die Geliebte”	1811
WoO 140, v. 1	“An die Geliebte”	1811
WoO 140, v. 3	“An die Geliebte”	1814
Opus 32	“An die Hoffnung”	1805
Opus 94	“An die Hoffnung”	1813–15
WoO 108	“An einen Säugling”	1784
WoO 112	“An Laura”	1792?
WoO 115	“An Minna”	1792?
WoO 136	“Andenken”	1805
Opus 122	“Bundeslied” for Voices and Chamber Orchestra	1823–24
Opus 52, No. 8	“Das Blümchen Wunderhold”	c. 1795
WoO 145	“Das Geheimnis”	1815
Opus 52, No. 3	“Das Liedchen von der Ruhe”	c. 1793, rev. 1795
WoO 142	“Der Bardengeist”	1813
WoO 151	“Der edle Mensch”	1823
WoO 117	“Der freie Mann”	1792–94
WoO 141	“Der Gesang der Nachtigall”	1813
WoO 138	“Der Jüngling in der Fremde”	1809
Opus 128	“Der Kuss”	1822
WoO 139	“Der Liebende”	1809
Opus 99	“Der Mann von Wort”	1816
WoO 129	“Der Wachtelschlag”	1803
Opus 75, No. 6	“Der Zufriedene”	1809
WoO 143	“Des Kriegers Abscheid”	1814
WoO 135	“Die laute Klage”	c. 1815?
Opus 52, No. 6	“Die Liebe”	c. 1790
WoO 185	“Edel sei der Mensch”	1823
WoO 110	“Elegie auf den Tod eines Pudels”	1792?
Opus 108, No. 18	“Enchantress, Farewell” CFS XIII/3	1818
WoO 109	“Erhebt das Glas mit froher Hand”	1790?
WoO 131	“Erlkönig”	1796
Opus 52, No. 2	“Feuerfarb’”	c. 1792, rev. 1803
WoO 130	“Gedenke mein!”	1820
Opus 75, No. 4	“Gretels Warnung”	1809
Opus 82, No. 1	“Hoffnung” / “Dimmi, ben mio, che m’ami”	1809
WoO 74	“Ich denke dein” with Variations for Four Hands	1799
WoO 123	“Ich liebe Dich”	c. 1795
WoO 133	“In Questa Tomba Oscura”	1807
Opus 75, No. 1	“Kennst du das Land” / “Mignon”	1809
WoO 113	“Klage”	1790?
WoO 122	“Kriegslied der Öesterreicher”	1797
WoO 100	“Lob auf den Dicken” for Three Voices & Chorus	1801
Opus 82, No. 4	“L’amante impatiente” / “Liebes-Ungeduld” – Arietta assai seriosa	1809
Opus 82, No. 3	“L’amante impatiente” / “Stille Frage” – Arietta buffa	1809
WoO 124	“La Partenza”	c. 1795–96
WoO 125	“La Tiranna”	1798
Opus 82, No. 5	“Lebens-Genuss” / “Odi l’aura che dolce sospira”	1809
Opus 88	“Lebensglück”	1803
Opus 82, No. 2	“Liebes-Klage” / “T’intendo sì, mio cor”	1809
WoO 137	“Lied aus der Ferne”	1809
WoO 120	“Man Strebt, die Flamme zu Verhehlen”	1800
Opus 83, No. 3	“Mit einem gemalten Band”	1810
WoO 90	“Mit Mädeln sich vertragen”	1790–92
Opus 52, No. 4	“Maigesang”	c. 1795
Opus 52, No. 7	“Marmotte”	c. 1790–92
WoO 144	“Merkenstein”	1814
Opus 100	“Merkenstein” for duet	1814
Opus 52, No. 5	“Mollys Abschied”	c. 1795
WoO 93	“Nei giorni tuoi felici” for Soprano, Tenor, and Orchestra	1802
WoO 92a	“No, non turbarti” for Soprano and Strings	1802
Opus 75, No. 2	“Neue Liebe, neues Leben”	1809
WoO 127	“Neue Liebe, Neues Leben”	1798–99
WoO 119	“O care selve”	1794
WoO 200	“O Hoffnung” theme for Archduke Rudolph	1818
WoO 91, No. 1	“O welch’ ein Leben!”	c. 1795
WoO 126	“Opferlied”	1798
Opus 121b, v.1	“Opferlied” for Voices and Chamber Orchestra	1822
Opus 121b, v.2	“Opferlied” for Voices and Chamber Orchestra	1824
WoO 92	“Primo Amore” for Soprano and Orchestra	1790–92
WoO 89	“Prüfung des Küssens”	1790–92
WoO 111	“Punschlied”	1790–92?
WoO 116	“Que le temps me dure”	1793
WoO 147	“Ruf vom Berge”	1816
WoO 149	“Resignation”	1817
WoO 128	“Romance” / “Plaisir d’aimer”	1798–99
WoO 107	“Schilderung eines Mädchens”	1783
WoO 134	“Sehnsucht”	1807–08
WoO 146	“Sehnsucht”	1816
Opus 83, No. 2	“Sehnsucht”	1810
WoO 114	“Selbstgespräch”	1792?
WoO 118	“Seufzer eines Ungeliebten” / “Gegenliebe”	1794–95
WoO 148	“So oder so”	1817
WoO 91, No. 2	“Soll ein Schuh nicht drücken”	c. 1795
Opus 108, No. 2	“Sunset” CFS XIII/2	1818
Opus 108, No. 23	“The Shepherd’s Song” CFS XIII/1	1818
Opus 116	“Tremate, empi, tremate” for Soprano, Tenor, Bass and Orchestra	1802
Opus 52, No. 1	“Urians Reise um die Welt”	before 1793
Opus 88	“Vita Felice”	1803
Opus 83, No. 1	“Wonne der Wehmut”	1810
Hess 297	Adagio for in A♭ Major for 3 Horns	1815
WoO 43b	Adagio in E♭ for Mandolin and Harpsichord	1796
WoO 39	Allegretto for Piano Trio in B♭ Major	1812
WoO 61	Allegretto in B Minor	1821
WoO 56	Allegretto in C Major	1803
WoO 53	Allegretto in C Minor	1796–97
WoO 61a	Allegretto quasi andante in G Minor	1825
WoO 81	Allemande in A for Piano	1793
WoO 57	Andante Favori in F Major	1803
WoO 44b	Andante with Variations in D Major for Mandolin and Harpsichord	1796
WoO 59	Bagatelle “Für Elise” in A Minor	1810?
WoO 54	Bagatelle “Lustig-Traurig”	1802?
WoO 60	Bagatelle in B♭ Major	1818
Opus 126	6 Bagatelles	1824
Opus 33	Bagatelles for Piano	1801–2
Opus 119	11 Bagatelles for Piano	1820–22
WoO 106	Birthday Cantata for Prince Lobkowitz	1823
Opus 112	Calm Sea and Prosperous Voyage	1814–15
WoO 58	Cadenzas for Mozart’s Piano Concerto No. 20 in D Minor, K. 466	c. 1809
WoO 192	Canon “Ars longa, vita brevis”	1825
WoO 193	Canon “Ars longa, vita brevis”	c. 1825?
WoO 170	Canon “Ars longa, vita brevis”	1816
WoO 183	Canon “Bester Herr Graf”	1823
WoO 177	Canon “Bester Magistrat”	c. 1820
WoO 167	Canon “Brauchle, Linke”	c. 1815
WoO 203	Canon “Das Schöne zu dem Guten”	1825
WoO 202	Canon “Das Schöne zum Guten”	1823
WoO 168	Canon “Das Schweigen” and “Das Reden”	1816
WoO 189	Canon “Doktor sperrt das Tor”	1825
WoO 196	Canon “Es muss sein”	1826
WoO 161	Canon “Ewig dein”	1811
WoO 184	Canon “Falstafferel, lass’ dich sehen”	1823
WoO 195	Canon “Freu’ dich des Lebens”	1825
WoO 164	Canon “Freundschaft ist die Quelle”	1814
WoO 181, No. 1	Canon “Gedenket heute an Baden”	1822
WoO 181, No. 2	Canon “Gehabt euch wohl”	1822
WoO 174	Canon “Glaube und Hoffe”	1819
WoO 171	Canon “Glück fehl’ dir”	1817
WoO 165	Canon “Glück zum neuen Jahr”	1815
WoO 176	Canon “Glück zum neuen Jahr”	1819
WoO 188	Canon “Gott ist eine feste Burg”	1825
WoO 180	Canon “Hoffmann, sei ja ein Hofmann”	1820
WoO 173	Canon “Hol’ euch der Teufel”	1819
WoO 204	Canon “Holz geigt die Quartette so”	1825
WoO 172	Canon “Ich bitt’ dich”	c. 1818
WoO 169	Canon “Ich küsse sie”	1816
WoO 190	Canon “Ich war hier, Doktor”	1825
WoO 159	Canon “Im Arm der Liebe ruht sich’s wohl”	1795
WoO 191	Canon “Kühl, nicht lau”	1825
WoO 163	Canon “Kurz ist der Schmerz”	1813
WoO 166	Canon “Kurz ist der Schmerz”	1815
WoO 182	Canon “O Tobias”	1821
WoO 175	Canon “Sankt Petrus”	1820
WoO 187	Canon “Schwenke dich”	1824
WoO 179	Canon “Seiner kaiserlichen Hoheit”	1819
WoO 194	Canon “Si non per portas”	1825
WoO 178	Canon “Signor Abate!”	c. 1820?
WoO 162	Canon “Ta ta ta” / “An Mälzel”	attr. 1812
WoO 186	Canon “Te solo adoro”	1824
WoO 181, No. 3	Canon “Tugend is kein leerer Name”	1822
WoO 160, No. 1	Canon for 3 voices	1795
WoO 160, No. 2	Canon in 4 voices	1795
WoO 35	Canon in A Major for Two Instruments	1825
WoO 103	Cantata “Un lieto brindisi” for four voices and piano	1814
WoO 88	Cantata on the Accession of Leopold II	1790
WoO 87	Cantata on the Death of Joseph II	1790
Opus 64	Cello Sonata Arrangement of Opus 3	1807
Opus 5, No. 1	Cello Sonata No. 1 in F Major	1796
Opus 5, No. 2	Cello Sonata No. 2 in G Minor	1796
Opus 69	Cello Sonata No. 3 in A Major	1807–08
Opus 102, No. 1	Cello Sonata No. 4 in C Major	1815
Opus 102, No. 2	Cello Sonata No. 5 in D Major	1815
Opus 80	Choral Fantasy in C Major	1808
WoO 95	Chorus for the Allied Princes	1814
Opus 85	Christ on the Mount of Olives	1803–04
WoO 14	12 Contradances for Orchestra	c. 1791–1801
Opus 62	Coriolan Overture	1807
Opus 81a, mm 1	Das Lebewohl for Piano	1809
Opus 136	Der glorreiche Augenblick	1814
Opus 120	Diabelli Variations	1823
WoO 32	Duet for Two Obbligato Eyeglasses	1796–97
WoO 34	Duet for Two Violins	1822
WoO 26	Duo for 2 Flutes	1792
WoO 27, No. 3	Duo for Clarinet and Bassoon in B♭	1792?
WoO 27, No. 1	Duo for Clarinet and Bassoon in C Major	1792?
WoO 27, No. 2	Duo for Clarinet and Bassoon in F Major	1792?
WoO 22	Ecossaise in D Major for Military Band	1810
WoO 86	Écossaise in E♭ Major for Piano	1825
WoO 23	Ecossaise in G Major for Military Band	c. 1810
WoO 83	6 Écossaises for Piano	c. 1806
WoO 16	12 Écossaises for Piano	c. 1806
Opus 84	Egmont Overture and Incidental Music	1810
Opus 118	Elegischer Gesang for Voices and String Quartet	1814
WoO 30	3 Equali for Four Trombones	1812
WoO 97	Es ist Vollbracht Chorus from “Die Ehrenpforten”	1815
Opus 77	Fantasy for Piano in G Minor	1809
Opus 72	Fidelio	1814
Opus 72	Fidelio Overture	1814
WoO 31	Fugue in D for Organ	1783
Opus 137	Fugue in D Major for String Quintet	1817
Opus 48	Gellert Lieder	1801–02
WoO 13	12 German Dances	c. 1792–97
WoO 8	12 German Dances for Orchestra	1795
WoO 8	12 German Dances for Piano	1795
WoO 42	6 German Dances for Violin and Piano	1796
WoO 94	Germania Chorus from “Die gute Nachricht”	1814
WoO 3	Gratulations-Menuett	1822
Opus 134	Grosse Fuge in B♭ for Piano Four-Hands	1826
WoO 99	Italian Part-Songs	c. 1801–1802
Opus 117	King Stephen	1811
WoO 11	7 Ländler for Piano	1799
WoO 15	6 Ländler for Two Violins and Bass	1802
Opus 72	Leonore 1805	1804–05
Opus 72	Leonore 1806	rev. 1806
Opus 138	Leonore Overture No. 1	1807
Opus 72a	Leonore Overture No. 2	1805
Opus 72b	Leonore Overture No. 3	1806
WoO 96	Leonore Porhaska Incidental Music	1815
WoO 96	Leonore Prohaska Incidental Music	1815
Opus 86	Mass in C Major	1807
WoO 29	March in B♭ Major	1797–98
WoO 20	March in C Major for Military Band	c. 1810?
WoO 24	March in D Major for Military Band	1816
WoO 19	March in F Major for Military Band	1810
WoO 18	March in F Major for Military Band	1809–10
Opus 45	3 Marches for Piano Four-Hands	1803
WoO 82	Minuet in E♭ Major	1785?
WoO 10, No. 2	Minuet in G	1795
WoO 7	12 Minuets for Orchestra	1795
WoO 12	12 Minuets for Orchestra	1799
WoO 10	6 Minuets for Piano	1795
WoO 9	6 Minuets for Two Violins and Cello	c. 1795
Opus 123	Missa Solemnis	1822
Opus 123	Missa Solemnis: Agnus Dei	1822
Opus 123	Missa Solemnis: Credo	1822
Opus 123	Missa Solemnis: Gloria	1822
Opus 123	Missa Solemnis: Kyrie	1822
Opus 123	Missa Solemnis: Sanctus and Benedictus	1822
WoO 17	11 Mödling Dances	1819?
WoO 1	Music for a “Ritterballet”	1790–91
WoO 101	Musical Joke “Graf, Graf, liebster Graf”	1802
WoO 221	Musical joke “Herr Graf, ich komme zu fragen”	1797?
WoO 201	Musical Joke “Ich bin bereit”	1818
WoO 199	Musical joke “Ich bin der Herr von zu, Du bist der Herr von von”	1814
Opus 115	Namensfeier Overture in C Major	1814–15
Opus 107	10 National Airs with Variations	1818–19
Opus 105	6 National Airs with Variations	1818–19
Opus 42	Notturno for Viola and Piano in D Major	1803
Opus 61a	Piano Concerto in D Major	1807
WoO 4	Piano Concerto No. 0	1784
Opus 15	Piano Concerto No. 1 in C Major	1795–1800
Opus 19	Piano Concerto No. 2 in B♭ Major	1795–98
Opus 37	Piano Concerto No. 3 in C Minor	1800–03
Opus 58	Piano Concerto No. 4 in G Major	1806
Opus 73	Piano Concerto No. 5 “Emperor” in E♭ Major	1809
WoO 36, No. 3	Piano Quartet in C Major	1785
WoO 36, No. 2	Piano Quartet in D Major	1785
WoO 36, No. 1	Piano Quartet in E♭ Major	1785
WoO 47, No. 3	Piano Sonata in D Major	1783
WoO 47, No. 1	Piano Sonata in E♭ Major	1783
WoO 47, No. 2	Piano Sonata in F Minor	1783
Opus 2, No. 1	Piano Sonata No. 1 in F Minor	1795
Opus 2, No. 2	Piano Sonata No. 2 in A Major	1795
Opus 2, No. 3	Piano Sonata No. 3 in C Major	1795
Opus 7	Piano Sonata No. 4 in E♭ Major	1796–97
Opus 10, No. 1	Piano Sonata No. 5 in C Minor	1798
Opus 10, No. 2	Piano Sonata No. 6 in F Major	1798
Opus 10, No. 3	Piano Sonata No. 7 in D Major	1798
Opus 13	Piano Sonata No. 8 “Pathétique” in C Minor	1798?
Opus 14, No. 1	Piano Sonata No. 9 in E Major	1798
Opus 14, No. 2	Piano Sonata No. 10 in G Major	1798
Opus 22	Piano Sonata No. 11 in B♭ Major	1800
Opus 26	Piano Sonata No. 12 “Funeral March” in A♭ Major	1801
Opus 27, No. 1	Piano Sonata No. 13 in E♭ Major	1801
Opus 27, No. 2	Piano Sonata No. 14 “Moonlight” in C♯ Minor	1801
Opus 28	Piano Sonata No. 15 “Pastoral” in D Major	1801
Opus 31, No. 1	Piano Sonata No. 16 in G Major	1802
Opus 31, No. 2	Piano Sonata No. 17 “Tempest” in D Minor	1802
Opus 31, No. 3	Piano Sonata No. 18 “The Hunt” in E♭ Major	1802
Opus 49, No. 1	Piano Sonata No. 19 in G Minor	1797
Opus 49, No. 2	Piano Sonata No. 20 in G Major	1795–96
Opus 53	Piano Sonata No. 21 “Waldstein” in C Major	1803–04
Opus 54	Piano Sonata No. 22 in F Major	1804
Opus 57	Piano Sonata No. 23 “Appassionata” in F Minor	1804–6
Opus 78	Piano Sonata No. 24 “à Thérèse” in F♯ Major	1809
Opus 79	Piano Sonata No. 25 in G Major	1809
Opus 81a	Piano Sonata No. 26 “Les Adieux” in E♭ Major	1809
Opus 90	Piano Sonata No. 27 in E Minor	1814
Opus 101	Piano Sonata No. 28 in A Major	1816
Opus 106	Piano Sonata No. 29 “Hammerklavier” in B♭ Major	1818
Opus 109	Piano Sonata No. 30 in E Major	1820
Opus 110	Piano Sonata No. 31 in A♭ Major	1821–2
Opus 111	Piano Sonata No. 32 in C Minor	1822
Opus 63	Piano Trio Arrangement of Opus 4	1806
WoO 38	Piano Trio in E♭ Major	1791?
Opus 1, No. 1	Piano Trio No. 1 in E♭ Major	1794–95
Opus 1, No. 2	Piano Trio No. 2 in G Major	1794–95
Opus 1, No. 3	Piano Trio No. 3 in C Minor	1794–95
Opus 11	Piano Trio No. 4 in B♭ Major	1797–98
Opus 70, No. 1	Piano Trio No. 5 “Ghost” in D Major	1808
Opus 70, No. 2	Piano Trio No. 6 in E♭ Major	1808
Opus 97	Piano Trio No. 7 “Archduke” in B♭ Major	1811
WoO 33	5 Pieces for a Flute Clock	1799
Opus 89	Polonaise in C Major for Piano	1814
WoO 21	Polonaise in D Major for Military Band	1810
Hess 40	Prelude and Fragment of Fugue in D Minor for String Quintet	1817
Hess 31	Prelude and Fugue in C Major	1794–95
Hess 30	Prelude and Fugue in F Major	1794–95
WoO 55	Prelude for Piano in F Minor	1786–87?
WoO 52	Presto in C Minor for Piano	c. 1795
Opus 16	Quartet in E♭ for Piano and Strings	1796?
Opus 16	Quintet in E♭ for Piano and Woodwinds	1796
Opus 50	Romance in F Major for Violin and Orchestra	1798
Opus 40	Romance No. 1 in G Major for Violin and Orchestra	c. 1801
WoO 6	Rondo for Piano and Orchestra	1793–94
WoO 49	Rondo in A Major	1783
Opus 51, No. 1	Rondo in C for Piano	c. 1796–97
WoO 48	Rondo in C Major	1783
WoO 25	Rondo in E♭ for Wind Octet	1793?
Opus 51, No. 2	Rondo in G for Piano	c. 1798
WoO 41	Rondo in G for Violin and Piano	1793–94
Opus 129	Rondo in G Major “Rage Over a Lost Penny”	1795
Opus 20	Septet in E♭ Major	1799
Opus 41	Serenade for Flute and Piano in D Major	1803
Opus 25	Serenade for Flute, Violin, and Viola in D Major	1801
Opus 8	Serenade in D for String Trio	1796–97
Opus 108, No. 24	Setting of “Again, my Lyre, yet once again,” CFS VI/10	1814–15
WoO 158a, No. 14	Setting of “Akh, rečen’ki, rečen’ki” CFS IX/2	1816
WoO 156, No. 11	Setting of “Auld Lang Syne” CFS XIV/4	1818
Opus 108, No. 9	Setting of “Behold, my Love, how Green the Groves” CFS XII/9	1817
Opus 108, No. 7	Setting of “Bonny Laddie, Highland Laddie,” CFS VI/12	1814–15
WoO 152, No. 8	Setting of “Come draw we Round a Cheerful Ring” CFS II/7	1810
Opus 108, No. 13	Setting of “Come fill, fill, my Good Fellow” CFS XII/5	1817
WoO 155, No. 22	Setting of “Constancy,” CFS I/16	1809–10
Opus 108, No. 16	Setting of “Could this Ill World have been contriv’d” CFS VIII/2	1816
WoO 155, No. 21	Setting of “Cupid’s Kindness” CFS I/20	1809–10
WoO 152, No. 14	Setting of “Dermot and Shelah” CFS I/29	1809–10
Opus 108, No. 6	Setting of “Dim, dim is my eye.” CFS VI/11	1814–15
WoO 152, No. 12	Setting of “English Bulls; or, The Irishman in London” CFS I/36	1809–10
Opus 108, No. 20	Setting of “Faithfu’ Johnie” CFS IV/4	1812–13
WoO 152, No. 20	Setting of “Farewell Bliss and Farewell Nancy” CFS II/6	1810
WoO 155, No. 8	Setting of “Farewell, thou Noisy Town,” CFS I/11	1809–10
WoO 152, No. 22	Setting of “From Garyone, my Happy Home” CFS III/7	1811–12
WoO 154, No. 7	Setting of “From Garyone, my Happy Home” CFS IV/8	1812–13
WoO 154, No. 12	Setting of “He promis’d me at Parting” CFS V/7	1812–13
WoO 158a, No. 2	Setting of “Horch auf, mein Liebchen” CFS IX/11	1816
WoO 152, No. 17	Setting of “In Vain to this Desart” CFS I/27	1809–10
WoO 152, No. 15	Setting of “Let Brain-spinning Swains” CFS II/10	1810
WoO 156, No. 9	Setting of “Lochnagar” CFS XIV/1	1818
WoO 152, No. 21	Setting of “Morning a Cruel Turmoiler is” CFS III/6	1811–12
Opus 108, No. 1	Setting of “Music, Love and Wine” CFS XII/6	1817
WoO 152, No. 13	Setting of “Musing on the Roaring Ocean” CFS III/3	1811–12
WoO 158b, No. 6	Setting of “O Mary ye’s be Clad in Silk,” CFS VI/7	1814–15
Opus 108, No. 17	Setting of “O Mary, at thy Window be” CFS XII/3	1817
WoO 153, No. 16	Setting of “O might I but my Patrick love” CFS V/3	1812–13
WoO 157, No. 4	Setting of “O sanctissima” CFS XII/11	1817
WoO 153, No. 7	Setting of “O soothe me, my Lyre” CFS V/15	1812–13
Opus 108, No. 19	Setting of “O swiftly glides the Bonny Boat,” CFS VI/15	1814–15
WoO 152, No. 25	Setting of “Oh Harp of Erin” CFS III/4	1811–12
Opus 108, No. 3	Setting of “Oh Sweet were the Hours” CFS XII/2	1817
Opus 108, No. 11	Setting of “Oh! thou art the Lad of my Heart,” CFS VII/3	1815
WoO 154, No. 5	Setting of “Oh! who, my Dear Dermot” CFS V/14	1812–13
WoO 154, No. 9	Setting of “Oh! would I were but that Sweet Linnet” CFS IV/9	1812–13
WoO 152, No. 5	Setting of “On the Massacre of Glencoe” CFS I/28	1809–10
WoO 152, No. 3	Setting of “Once more I hail thee” CFS I/35	1809–10
WoO 153, No. 14	Setting of “Paddy O’Rafferty, Merry and Vigorous” CFS I/42	1809–10
Opus 108, No. 25	Setting of “Sally in our Alley” CFS X/3	1816–17
WoO 158a, No. 16	Setting of “Schöne Minka, ich muss scheiden” CFS VIII/6	1816
WoO 158a, No. 12	Setting of “Seus lindos alhos” CFS IX/10	1816
WoO 153, No. 4	Setting of “Since Greybeards inform us that Youth will decay” CFS I/40	1809–10
WoO 155, No. 1	Setting of “Sion, the son of Evan” CFS I/23	1809–10
WoO 157, No. 10	Setting of “Sir Johnie Cope” CFS XII/10	1817
WoO 152, No. 2	Setting of “Sweet Power of Song” CFS I/39	1809–10
WoO 155, No. 17	Setting of “The Dairy House,” CFS I/8	1809–10
WoO 155, No. 14	Setting of “The Dream,” CFS I/6	1809–10
WoO 154, No. 1	Setting of “The Elfin Fairies” CFS V/10	1812–13
WoO 154, No. 3	Setting of “The Farewell Song” CFS V/11	1812–13
Opus 108, No. 22	Setting of “The Highland Watch” CFS X/7	1816–17
WoO 153, No. 9	Setting of “The Kiss, Dear Maid, thy Lip has left” CFS V/5	1812–13
Opus 108, No. 8	Setting of “The Lovely Lass of Inverness” CFS VIII/4	1816
WoO 152, No. 4	Setting of “The Morning Air plays on my Face” CFS I/38	1809–10
WoO 155, No. 25	Setting of “The Parting Kiss,” CFS VI/8	1814–15
WoO 154, No. 4	Setting of “The Pulse of an Irishman” CFS V/12	1812–13
WoO 152, No. 1	Setting of “The Return to Ulster” CFS II/8	1810
WoO 154, No. 11	Setting of “The Soldier in a Foreign Land” CFS V/8	1812–13
WoO 152, No. 9	Setting of “The Soldier’s Dream” CFS I/31	1809–10
Opus 108, No. 5	Setting of “The Sweetest Lad was Jamie,” CFS VI/13	1814–15
WoO 155, No. 19	Setting of “The Vale of Clwyd,” CFS I/18	1809–10
WoO 152, No. 23	Setting of “The Wand'ring Gypsy” CFS II/3	1810
WoO 152, No. 18	Setting of “They bid me Slight my Dermot Dear” CFS I/32	1809–10
WoO 152, No. 11	Setting of “Thou Emblem of Faith” CFS III/2	1811–12
WoO 153, No. 20	Setting of “Thy Ship must sail, my Henry Dear” CFS V/2	1812–13
WoO 158a, No. 21	Setting of “Tiranilla Española” CFS IX/7	1816
WoO 155, No. 9	Setting of “To the Aeolian Harp” CFS I/22	1809–10
WoO 158a, No. 19	Setting of “Una paloma blanca” CFS IX/5	1816
WoO 158a, No 17	Setting of “Vaggvisa” CFS XI/1	1816–17
WoO 158a, No. 7	Setting of “Wer solche Buema afipackt” CFS XI/2	1816–17
WoO 155, No. 15	Setting of “When Mortals all to Rest retire” CFS V/21	1813
WoO 152, No. 19	Setting of “Wife, Children and Friends” CFS III/9	1811–12
WoO 156, No. 8	Setting of “Womankind” CFS XIV/3	1818
WoO 158a, No. 11	Setting of “Yo no queiero embarcarme” CVS IX/9	1816
Opus 71	Sextet in E♭ for 2 clarinets, 2 bassoons, and 2 horns	1796?
Opus 81b	Sextet in E♭ Major for 2 Horns, 2 Violins, Viola, and Cello	1795
WoO 104	Song of the Monks	1817
Opus 6	Sonata in D for Piano Four Hands	1796–97
Opus 17	Sonata in F Major for Horn and Piano	1800
WoO 50	Sonatina for Piano in F Major	1792?
WoO 44a	Sonatina in C Major for Mandolin and Harpsichord	1796
WoO 43a	Sonatina in C Minor for Mandolin and Harpsichord	1796
Hess 34	String Quartet in F Major	1801–2
Opus 18, No. 1	String Quartet No. 1 in F Major	1799–1800
Opus 18, No. 2	String Quartet No. 2 in G Major	1799–1800
Opus 18, No. 3	String Quartet No. 3 in D Major	1799–1800
Opus 18, No. 4	String Quartet No. 4 in C Minor	1799–1800
Opus 18, No. 5	String Quartet No. 5 in A Major	1799–1800
Opus 18, No. 6	String Quartet No. 6 in B♭ Major	1800
Opus 59, No. 1	String Quartet No. 7 “Razumovsky” in F Major	1806
Opus 59, No. 2	String Quartet No. 8 “Razumovsky” in E Minor	1806
Opus 59, No. 3	String Quartet No. 9 “Razumovsky” in C Major	1806
Opus 74	String Quartet No. 10 “Harp” in E♭ Major	1809
Opus 95	String Quartet No. 11 “Serioso” in F Minor	1810
Opus 127	String Quartet No. 12 in E♭ Major	1824–25
Opus 130, v. 1	String Quartet No. 13 in B♭ Major	1825
Opus 131	String Quartet No. 14 in C♯ Minor	1826
Opus 132	String Quartet No. 15 in A Minor	1825
Opus 29	String Quintet in C Major	1801
Opus 104	String Quintet in C Minor Arrangement of Opus 1, No. 3	1817
Opus 4	String Quintet in E♭ Major	1795
Opus 3	String Trio in E♭ Major	1795?
Opus 9, No. 1	String Trio No. 3 in G Major	1797–98
Opus 9, No. 2	String Trio No. 4 in D Major	1797–98
Opus 9, No. 3	String Trio No. 5 in C Minor	1797–98
Opus 21	Symphony No. 1 in C Major	1800
Opus 36	Symphony No. 2 in D Major	1801–02
Opus 36	Symphony No. 2 Transcribed for Piano Trio	1805
Opus 55	Symphony No. 3 “Eroica” in E♭ Major	1803–04
Opus 60	Symphony No. 4 in B♭ Major	1806
Opus 67	Symphony No. 5 in C Minor	1807–08
Opus 68	Symphony No. 6 “Pastoral” in F Major	1808
Opus 92	Symphony No. 7 in A Major	1812
Opus 93	Symphony No. 8 in F Major	1812
Opus 125	Symphony No. 9 in D Minor	1824
Hess 118	The Consecration of the House	1822
WoO 98	The Consecration of the House: “Wo sich die Pulse”	1822
Opus 114	The Consecration of the House: March and Chorus	1822
Opus 124	The Consecration of the House: Overture	1822
Opus 43	The Creatures of Prometheus	1801
Opus 113	The Ruins of Athens	1811
Opus 38	Trio for Clarinet, Cello, and Piano in E♭ Major	1802–03
Opus 87	Trio for Two Oboes and English Horn	1795?
WoO 37	Trio in G for Piano, Flute & Bassoon	1786?
Opus 56	Triple Concerto in C Major	1804
WoO 2a	Triumph March for Tarpeja	1813
WoO 51	Two Movements for Orphica	1797?
Opus 39	Two Preludes for Piano or Organ	1789?
Opus 35	Variations and Fugue on a Theme from “Prometheus”	1802
Opus 76	6 Variations for Piano in D Major	1809
WoO 77	Variations for Piano in G Major	1800
Opus 66	Variations on “Ein Mädchen oder Weibchen” from Mozart’s “The Magic Flute”	1796
WoO 66	Variations on “Es war einmal” from Dittersdorf’s “Das rote Käppchen”	1792
WoO 78	Variations on “God Save the King”	1803
Opus 121a	Variations on “Ich bin der Schneider Kakadu”	c. 1816
Opus 44	Variations on “Ja, ich muss mich” from Dittersdorf’s “Das rote Käppchen” for Piano Trio	1792
WoO 75	Variations on “Kind, willst du ruhig schlafen” from Winter’s “Das unterbrochene Opferfest”	1799
WoO 28	Variations on “Là ci darem la mano” from Mozart’s “Don Giovanni” for Two Oboes and English Horn	1795?
WoO 73	Variations on “La stessa, la stessissima” from Salieri’s “Falstaff”	1799
WoO 68	Variations on “Menuett à la Viganò” from Haibel’s “Le nozze disturbate”	1795
WoO 70	Variations on “Nel cor più non mi sento” from Paisiello’s “La molinara”	1795
WoO 69	Variations on “Quant’ è più bello” from Paisiello’s “La molinara”	1795
WoO 79	Variations on “Rule Britannia”	1803
WoO 40	Variations on “Se vuol ballare" from Mozart's “The Marriage of Figaro” for Violin and Piano	1792–93
WoO 45	Variations on “See the Conqu’ring Hero” from Handel’s “Judas Maccabaeus”	1796
WoO 76	Variations on “Tändeln und Scherzen” from Süssmayr’s “Soliman II”	1799
WoO 72	Variations on “Une frèvre brûlante” from Grétry’s “Richard Coeur de Lion”	1795
WoO 65	Variations on “Venni amore” by Righini	1790–91
WoO 63	Variations on a March by Dressler	1782
WoO 71	Variations on a Russian Dance from Wranitzky’s “Das Waldmädchen”	1796–97
WoO 64	Variations on a Swiss Air for Harp or Piano	1792?
WoO 67	Variations on a Theme by Count Waldstein for Piano Four Hands	1792?
WoO 80	32 Variations on an Original Theme	1806
Opus 34	Variations on an Original Theme in F Major	1802
WoO 46	Variations on Mozart’s “Bei Männern” for Cello and Piano	1801
Hess 115	Vestas Feuer, Scene 1	1803
WoO 5	Violin Concerto Fragment	c. 1790–92
Opus 61	Violin Concerto in D Major	1806
Opus 12, No. 1	Violin Sonata No. 1 in D Major	1797–98
Opus 12, No. 2	Violin Sonata No. 2 in A Major	1797–98
Opus 12, No. 3	Violin Sonata No. 3 in E♭ Major	1797–98
Opus 23	Violin Sonata No. 4 in A Minor	1800
Opus 24	Violin Sonata No. 5 in F Major “Spring”	1800–01
Opus 30, No. 1	Violin Sonata No. 6 in A Major	1802
Opus 30, No. 2	Violin Sonata No. 7 in C Minor	1802
Opus 30, No. 3	Violin Sonata No. 8 in G Major	1802
Opus 47	Violin Sonata No. 9 “Kreutzer” in A Major	1803
Opus 96	Violin Sonata No. 10 in G Major	1812
WoO 85	Waltz in D Major for Piano	1825
WoO 84	Waltz in E♭ Major for Piano	1824
WoO 105	Wedding Song	1819
Opus 91	Wellington’s Victory	1813
Opus 103	Wind Octet	1792–93?